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House of Anansi Press

McMafia

Cover: Temple at the End of the Universe by Josiah Neufeld. The title and the author's name are set in large white type with small areas of some letters covered by green moss. The background is a dark grey stone wall with patches of moss and a few thin vines all over.

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The Temple at the End of the Universe

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West Coast Wild Peek into the Rainforest

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Peach Pit

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A Small Madness

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Out of the Sun

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Boundless

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When the Doves Disappeared

Safekeeping, a Writer's Guided Journal for Launching a Book with Love by Chelene Knight, foreword by Ivan Coyote. The title, subtitle, and author name appear in black type in a white box against an indigo background that is lightly textured to look like handmade paper.

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Safekeeping

Cover: CBC Massey Lectures, What I Mean To Say: Remaking Conversation In Our Time by Ian Williams, award–winning author of Disorientation: Being Black in the World and Reproduction. Below the type are four stylized line drawings of faces with splashes of colour in peach, pink, orange and yellow. The entire cover is framed in a white box according to the CBC Massey Lectures series look.

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What I Mean to Say

Cover: Shadow Price by Farah Ghafoor. Over a bright yellow background, the cover features an illustrated pair of hands making casting a shadow puppet in the shape of a dog.

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Shadow Price

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The Lost Spells

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Biology As Ideology

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The Quiet

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All the Shining People

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Endings

Seven Heavens Away: A Novel by Ashraf Zaghal. The title and author name appear in bold red, green, and cream letters to evoke the colours of the Palestinian flag. The background features stylized clouds, stars, a crescent moon, and the Jerusalem skyline.

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Seven Heavens Away

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Manual for Draft-Age Immigrants to Canada

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Somos como somos / A Kid Is a Kid Is a Kid

Cover: Myth by Terese Mason Pierre. A seascape appears in silhouette, with a beachy area in the foreground that features a luminous bush and the edge of the water line. Behind this are rolling hills and a palm tree; in the background, large mountains. Three rings of muted colour populate the sky in red, yellow, and blue, with a cloud in the foreground.

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Myth

Cover: Dangerous Memory, Coming of Age in the Decade of Greed by Charlie Angus, author of the Trillium Award finalist Cobalt. Title appears in black, bold letters on two white bands against a black and turquoise background. Below is a silhouette of a crowd of activists holding up a megaphone and placards protesting nuclear weapons.

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Dangerous Memory

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The Lost Words

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Big Lonely Doug

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The Real World of Technology

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The City of Words

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Kim's Convenience

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Let the World Have You

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The Educated Imagination

All the Quiet Places by Brian Thomas Isaac

Birchbark Books

All the Quiet Places: A Novel

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Twenty-First Century Capitalism

Cover: Lantern, poems by Sanna Wani. Above a cream-coloured background, a forest green border is stamped. Inside the border are three ginko leaves stamped in various directions, as though falling. The text appears in cursive lettering.

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Lantern

Bright red background. Text is in yellow and black. Text: China and the West. Speakers H.R. McMaster. Michael Pillsbury. Versus Kishore Mahbubani. Huiyao Wang. The Munk Debates.

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China and the West

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A Waiter in Paris

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Together by the Sea

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Noopiming

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Rain and Sun

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If Venice Dies

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Nostalgia for the Absolute

Cover: A Love Affair with the Unknown: Leaning into the Uncertainty of Modern Life by Gill Deacon. A painting by the author of a woman in a black bathing suit jumping off a green cliff into the water below against a cloudy sky. The title is stacked over this background with the author's name below it.

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A Love Affair with the Unknown

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The Triumph of Narrative

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The Elsewhere Community

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The Truth About Stories

Cover: procession by katherena vermette. The title and author's name all appear in white text, stylized in lower case. The backdrop is a close-up image of a beaded quilt, vibrant and detailed, with flowers, paisley, and more designs appearing. The edge of the quilt is beaded in red, and a yellow surface beneath the quilt appears at the bottom-left corner.

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Procession

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The Quiet

Cover: Keep: A Novel by Jenny Haysom. A white wall is covered in pieces of overlapping white paper in different sizes. Some lie flat, while others are lifted, casting shadows on the wall. The title, Keep, is written in a black cursive font across the middle of the cover, overlapping many of the pieces of paper, while some of the paper also covers parts of the letters. Jenny Haysom’s name appears at the bottom of the cover in a blocky grey sans serif font. Above that, “A Novel” is written in smaller black le

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Keep

Cover: Strange Bewildering Time: Istanbl to Kathmandu in the Last Year of the Hippie Trail by Mark Abley. A vintage colour photograph of a red-orange 1960s bus on a deserted road. Beside the bus is one half of a road sign, with a dark-skinned man standing in front of it. In the background are rolling green hills and a white-tipped mountain, with a blue-green sky above.

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Strange Bewildering Time

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Does State Spying Make Us Safer?

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Every Object Has a Story

Cover: Interregnum: Inside the Gruelling and Glamorous Two-Year Battle to become the Next King of Chess by Jordan Himelfarb. Chess pieces on a green checkered board against a light background and two illustrated hands reaching toward the pieces. The title is set in the top third of the cover and the author’s name at the bottom.

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Interregnum

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The Universe Within

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The Last Wave

A photograph shows dry, flat land with patches of yellow grass. The head and spine and part of the ribcage of an animal skeleton is on the ground. A sparse layer of frost and snow are on the ground. In the distance is a group of people, with two people further away. Mist hangs in the air and a grassy mountain is barely visible behind the people. Text: Surrender. The Call of the American West. Joanna Pocock. “Candid and beautifully written… A necessary read for our times.” – Edward Burtynsky.

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Surrender

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Reset

Cover: Wellwater, poems by Karen Solie. Over an off-white background, the cover featured an illustration of a flowering lilac tree with a thin stem and visible roots.

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Wellwater

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The Outside Circle

On Wholeness: Anishinaabe Pathways to Embodiment and Collective Liberation by Quill Christie-Peters. The cover features abstract, colourful artwork against a brown background. Organic shapes, some humanlike, and swirling lines reminiscent of waterways and galaxies flow out of a dark hole with red blood dripping from its bottom edge. The hole is flanked by two bears and two thunderbirds on either side.

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On Wholeness

A drawing of a bird is in white against a green background. The bird has slender wings and stands in short grass. Text: The Caiplie Caves. Karen Solie.

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The Caiplie Caves

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Selected Poems 1983–2020

This image is abstract. Pink, red, blue, and green shapes form peaks and valleys. In each shape are markings that resemble flower petals in varies colours. Text: Celestial Bodies. Jokha Alharthi. The Man Booker International Prize 2019.

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Celestial Bodies

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Norma

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Dodge City

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Prisons We Choose to Live Inside

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All Our Relations

Cover: Definitely Thriving, a novel, by Kerry Clare. An illustration of an upside-down green clawfoot bathtub full of bubbles is at the top of the frame, with a multicoloured stack of books at each end of the tub. A woman with light skin tone and dark hair in a messy top-knot reclines in the tub, reading. The title and author’s name are in dark blue brushstroke font set slanted on a yellow background with a few scattered open books and bubbles falling to the bottom of the frame.

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Definitely Thriving

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Ideas to Postpone the End of the World

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The Polymers

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The Clouds Tell Us

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Let the Elephants Run

A gold birdcage is against an orange background. A light blue silhouette shows two birds on a branch in the cage. Text: We Two Alone. Jack Wang. “With ingenuity and impeccable craft, Jack Wang gives us an utterly remarkable collection.” Viet Thanh Nguyen, Pulitzer Prize-winning author of The Sympathizer.

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We Two Alone

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The Break

Cover: Eve: The Disobedient Future of Birth by Claire Horn. The main title is in large type centred in the top third of the cover with the subtitle in smaller type centred on the line below. Behind the display type is a drawing of a sapling with roots attached to a transparent amniotic sac in which an upside-down, fully-formed human fetus is curled in on itself. The author’s name appears below the image at the bottom of the cover.

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Eve

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The New Measures

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The Exiles' Gallery

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Soft as Bones

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Broken Social Scene - This Book Is Broken

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Broken Social Scene - This Book Is Broken

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A Short History of Progress

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The Wayfinders

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Ninan

Cover: Our Voice of Fire: A Memoir of a Warrior Rising by Brandi Morin. A painted portrait shows a woman with medium-dark skin tone and black hair beating a drum. She wears a cream-coloured dress and stands before a red circle.

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Our Voice of Fire

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Birding with Yeats

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Unsettled Ground

Cover: CBC Massey Lectures, The Age of Insecurity: On the Collapse of Our Economic, Emotional, and Ecological Well-being by Astra Taylor. A white arrow points downward, framed by red and black geometric shapes.

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The Age of Insecurity

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Cobalt

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Winter

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The Unmemntioable

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My Grief, the Sun

Cover: Midway, poems by Kayla Czaga. Most of the cover is taken up by the sky at dusk. The bottom edge of a steep hill leads into a still body of water. Near the shoreline is a lit-up Ferris wheel surrounded by a few RVs and strings of colourful lights.

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Midway

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Testament

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Unstable Neighbourhood Rabbit

A woman with light skin tone stands in a field of tall, dry grass. The sky is blue behind her. Her hands are bound in front of her with white fabric. She holds a piece of driftwood to cover her face. One eye is visible through a circular hole in the wood. Feathers stick out of a cracked section toward the top of the driftwood. Text: NDN Coping Mechanisms. Notes from the Field. Billy-Ray Belcourt. Winner of the Griffin Poetry Prize.

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NDN Coping Mechanisms