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House of Anansi Press

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House of Anansi Press

Nostalgia for the Absolute

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The Elsewhere Community

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The Honeyman Festival

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The 2020 Griffin Poetry Prize Anthology

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Jewish Enablers of the War Against Israel

Cover: procession by katherena vermette. The title and author's name all appear in white text, stylized in lower case. The backdrop is a close-up image of a beaded quilt, vibrant and detailed, with flowers, paisley, and more designs appearing. The edge of the quilt is beaded in red, and a yellow surface beneath the quilt appears at the bottom-left corner.

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Procession

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The Truth About Stories

Six wings overlap each other against a blue background with black waves. The first wing is white and grey. It is the largest and spreads across the cover. The second is the smallest. It is blue and light blue. The third is small as well, and is green. The fourth is mid-sized, and it is brown and black. The fifth is mid-sized, and it is grey with a black tip. The sixth wing is small and gold. Text: John Thompson. Stilt Jack. Introduction by Rob Winger.

House of Anansi Press

Stilt Jack

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The Sisters Brothers

Cover: Our Voice of Fire: A Memoir of a Warrior Rising by Brandi Morin. A painted portrait shows a woman with medium-dark skin tone and black hair beating a drum. She wears a cream-coloured dress and stands before a red circle.

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Our Voice of Fire

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Boy O'Boy

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In Search of A Better World

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The Last Stampede

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Gardening Naturally

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Ideas to Postpone the End of the World

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The Big Why

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The City of Words

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Institutes of the Christian Religion: Book 3 by John Calvin

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CHS Institutes of the Christian Religion: Book 3

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Griffin Poetry Prize Anthology 2026

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Pigeon

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Others Like Me

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Out of the Way! Out of the Way!

Sharing the Light: Stories and Reflections by Monique Gray Smith, featuring a colourful, beaded floral pattern with a hummingbird at the centre and a glowing yellow and orange background.

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Sharing the Light

A boy with light skin tone wears a jacket, boots, and mitts. He stands on top of a small, brown peak that is in front of two other peaks. Behind him the sky is patches of blue and orange. The letter “o” in the title is a snowflake. Text: Snow. Joan Clark. Pictures by Kady MacDonald Denton.

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Snow

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Martin and the River

A tall, pink city building stands against a background with green and yellow swirls. In front of the building are a police car and a motorcycle, both in shades of blue and black. Three white clouds float around the pink building. Text: Rochdale. The Runaway College. David Sharpe. Introduction by Stuart Henderson.

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Rochdale

Cover: Pitiful by Brandi Bird. The text is white over a back backgound, with "poems" appearing in red. In the center, an illustration in red shows a hand reaching up from the ocean, through waves that also look like hands. At the bottom, a blurb reads, "Far from a whimper, Pitiful is a vital battle cry and a song." —Marya Hornbacher

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Pitiful

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The 2021 Griffin Poetry Prize Anthology

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The Educated Imagination

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The Universe Within

Cover: The Griffin Poetry Prize Anthology 2024: A Selection of the Shortlist. Amelia M. Glasser / Yuliya Ilchuk / Halyna Kruk / Jorie Graham / Ishion Hutinson / Ann Lauterbach / George McWhirter / Homero Aridjis. Edited by Albert F. Moritz. In the centre of the cover is a black and white image of a lush forrest.

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Griffin Poetry Prize Anthology 2024

Cover: “Sunny Days Inside and Other Stories. Caroline Adderson.” The word “Inside” is highlighted in yellow. There is a beige brick wall and on the left is the end of an apartment balcony. A kid with black hair, brown eyes and medium-dark skin tone is wearing a yellow hoodie, black jogging shorts, white sports socks and blue and black running shoes. The kid leans against the balcony railing, arms crossed, looking pensive. To the right and above is a shadow of the bottom of a second balcony one floor up.

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Sunny Days Inside

Cover: Dangerous Memory, Coming of Age in the Decade of Greed by Charlie Angus, author of the Trillium Award finalist Cobalt. Title appears in black, bold letters on two white bands against a black and turquoise background. Below is a silhouette of a crowd of activists holding up a megaphone and placards protesting nuclear weapons.

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Dangerous Memory

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Dodge City

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No Stars in the Sky

This image is in shades of black and white. A black shape like an oval with pointed ends in is the middle of the page. A boy is in the middle of the shape. Text: A Serious Thought. Jonas Taul.

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A Serious Thought

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Arroz con leche / Rice Pudding

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Mermaids and Ikons

A gold birdcage is against an orange background. A light blue silhouette shows two birds on a branch in the cage. Text: We Two Alone. Jack Wang. “With ingenuity and impeccable craft, Jack Wang gives us an utterly remarkable collection.” Viet Thanh Nguyen, Pulitzer Prize-winning author of The Sympathizer.

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The Unmemntioable

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Griffin Poetry Prize Anthology 2025

Cover: Trinity Street, poems, by Jen Currin. A photo of a park bench at night, lit up by a light source off-camera. The light also hits the bright green grass surrounding the bench, and a tree on the far left side. Even the trunk appears illuminated in green from the grass reflecting light. Trees and bushes to the right of the bench appear in the shadows. Far in the distance, city lights are just barely visible.

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Trinity Street

All That Grows. Words and pictures by Jack Wong. A close-up shows a boy’s face as he stares wide-eyed at four tiny green plants that have sprouted in a bed of soil. The boy has medium skin tone and brown eyes. The title is hand-lettered in green, and the author’s name is in pink.

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All That Grows

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Passing Ceremony

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The Kids in the Hall

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Arrival

Cover: Wellwater, poems by Karen Solie. Over an off-white background, the cover featured an illustration of a flowering lilac tree with a thin stem and visible roots.

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Wellwater

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The Hollow under the Tree

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The Wayfinders

Cover: CBC Massey Lectures, What I Mean To Say: Remaking Conversation In Our Time by Ian Williams, award–winning author of Disorientation: Being Black in the World and Reproduction. Below the type are four stylized line drawings of faces with splashes of colour in peach, pink, orange and yellow. The entire cover is framed in a white box according to the CBC Massey Lectures series look.

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What I Mean to Say

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Last Week

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The Break

Cover: Eyes on the Ice. By Anna Rosner. Two boys depicted in red play hockey on an ice rink at night. They wear knit sweaters, caps and gloves. In the background there are buildings with lit-up windows and an illuminated street lamp. Rising above and behind the scene looms a man wearing a coat, hat and glasses that reflect the white snow.

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The 2017 Griffin Poetry Prize Anthology

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Ablutions

Cover: CBC Massey Lectures, The Age of Insecurity: On the Collapse of Our Economic, Emotional, and Ecological Well-being by Astra Taylor. A white arrow points downward, framed by red and black geometric shapes.

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The Jesuit Disruptor

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The Quiet Hunt: A Poem for Young Foragers. By Jean E. Pendziwol and Risa Hugo. A young girl lays on a hill with her head in her hands, her wicker basket next to her. She has medium-light skin tone, short brown hair, brown eyes and her nails painted red. She wears a white baseball t-shirt with red sleeves, red high-top sneakers and a pink baseball cap with a smiling sun. She gazes at a cluster of mushrooms with brown rounded tops and white stems.

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Migrant

Cover: Theophylline, a poetic migration by Erín Moure. The cover has a sky blue background. The title on the the top third and the author's name on the bottom third are written in black. The subtitle, a poetic migration, is in yellow text, with a few smaller grey letters included so it can also read "an a-poretic migration." All the text repeats like an echo, with certain letters bleeding off the page and many letters reappearing below the main text.

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Theophylline

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Cover: Chrysalis: Stories by Anuja Varghese. The title is centred with the author's name below it. A faint paisley pattern fills the black background. The image is an 18th C painting of a thin reddish branch with heart-shaped leaves and a pale peach flower and two buds. In the bottom left is a pinkish-brown Antheraea polyphemus moth with a brown thorax and two large black spots ringed in white on the lower wings, and two smaller black and white spots on both the upper and lower wings.

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Chrysalis

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Morris Micklewhite and the Tangerine Dress

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Heroes in My Head

A drawing of a bird is in white against a green background. The bird has slender wings and stands in short grass. Text: The Caiplie Caves. Karen Solie.

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The Bush Garden

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Furious

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A Salmon for Simon

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Prisons We Choose to Live Inside

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How to Be Happy Though Human

Cover: Definitely Thriving, a novel, by Kerry Clare. An illustration of an upside-down green clawfoot bathtub full of bubbles is at the top of the frame, with a multicoloured stack of books at each end of the tub. A woman with light skin tone and dark hair in a messy top-knot reclines in the tub, reading. The title and author’s name are in dark blue brushstroke font set slanted on a yellow background with a few scattered open books and bubbles falling to the bottom of the frame.

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Definitely Thriving

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Manual for Draft-Age Immigrants to Canada

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Back in the Land of the Living

Cover: We Are Dreams in the Eternal Machine by Deni Ellis Béchard. The words of the title and author's name are composed of small pink and yellow dots against a turquoise background. The dots are sparse at the top of the page and become more dense moving down the cover, giving the impression of something coming into focus. "A Novel" appears in small white type.

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We Are Dreams in the Eternal Machine

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Belonging

It is snowing on a busy city street. Shops line the street with single story apartments above them. The title of the book is shown as a shop’s sign. People walk along the sidewalk in winter clothes. Cars and trucks drive on the snowy road. The author and illustrator’s names are shown on the sides of trucks. Text: My Winter City. Words by James Gladstone. Pictures by Gary Clement.

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My Winter City

Cover: The All + Flesh, poems by Brandi Bird. A vibrant, impressionist-style painting of a golden sunset over a red horizon. The sky blends from teal at the top to a bright yellow around the white sun, which reflects like a flaming spotlight on the ground. The brush strokes are cross-hatched in the sky, giving the appearance of downward motion, while the ground appears sponged.

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The All + Flesh

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