House of Anansi Press Peach Pit - Shop

You might also like

House of Anansi Press

Somos como somos / A Kid Is a Kid Is a Kid

House of Anansi Press

The Red Sash

House of Anansi Press

Talking with Mother Earth / Hablando con Madre Tierra

House of Anansi Press

Rooster / Gallo

fruitqueen

Masumoto Illustrated Book: Every Peach is a Story

Cover: The Day the Rain Moved In by Éléonore Douspis. A man crouches over a young child wearing a rain coat. On the left, a woman holding an umbrella crouches over another young child who is also wearing a raincoat, while pointing at a sprout growing out of the floor. It is raining inside.

House of Anansi Press

The Day the Rain Moved In

House of Anansi Press

Mustafa

House of Anansi Press

Shrewed

Cover: Our Voice of Fire: A Memoir of a Warrior Rising by Brandi Morin. A painted portrait shows a woman with medium-dark skin tone and black hair beating a drum. She wears a cream-coloured dress and stands before a red circle.

House of Anansi Press

Our Voice of Fire

A photograph shows a white plate on a wood table. The food on the plate is decoratively arranged. Orange sauce has been placed with a hand to show a handprint. On top of the handprint is a delicate tower of grains, vegetables, and meat. Text: Tawâw. Progressive Indigenous Cuisine. Shane M. Chartrand with Jennifer Cockrall-King. Best in the World Gourmand World Cookbook Awards.

House of Anansi Press

tawâw

Cover: House of Anansi presents Xanax Cowboy, poems, written and directed by Hannah Green. The cover is yellow, monochrome. The title text is large and black, and the font appears as though stamped with ink.

House of Anansi Press

Xanax Cowboy

(1)

House of Anansi Press

The Lost Words

(1)

House of Anansi Press

Based on a True Story

House of Anansi Press

Methodist Hatchet

House of Anansi Press

Northwest Passage

House of Anansi Press

West Coast Wild Peek into the Rainforest

House of Anansi Press

Sopa de frijoles / Bean Soup

A photograph shows dry, flat land with patches of yellow grass. The head and spine and part of the ribcage of an animal skeleton is on the ground. A sparse layer of frost and snow are on the ground. In the distance is a group of people, with two people further away. Mist hangs in the air and a grassy mountain is barely visible behind the people. Text: Surrender. The Call of the American West. Joanna Pocock. “Candid and beautifully written… A necessary read for our times.” – Edward Burtynsky.

House of Anansi Press

Surrender

House of Anansi Press

Tokyo Digs a Garden

House of Anansi Press

The Sultan of Sarawak

(1)

House of Anansi Press

Let the World Have You

(1)

A girl with dark skin tone pulls a red wagon behind her against a beige background with an outline of dark beige window panels. In the wagon is a tall pile of red, yellow, blue, and green objects. They tower over her. In front of her is a yellow fire hydrant. Text: Maggie’s Treasure. Jon-Erik Lappano. Kellen Hatanaka.

House of Anansi Press

Maggie’s Treasure

House of Anansi Press

P'ésk'a and the First Salmon Ceremony

House of Anansi Press

Music from the Sky

House of Anansi Press

Look Around, Baby!

House of Anansi Press

Buddy and Earl Meet the Neighbors

House of Anansi Press

Wiisni-daa! / Let’s Eat!

Cover: Eyes on the Ice. By Anna Rosner. Two boys depicted in red play hockey on an ice rink at night. They wear knit sweaters, caps and gloves. In the background there are buildings with lit-up windows and an illuminated street lamp. Rising above and behind the scene looms a man wearing a coat, hat and glasses that reflect the white snow.

House of Anansi Press

Eyes on the Ice

(1)

House of Anansi Press

The Malaise of Modernity

Mnoomin maan’gowing/The Gift of Mnoomin. Written by Brittany Luby, illustrated by Joshua Mangeshig Pawis-Steckley, translated by Mary Ann Corbiere. A field of mnoomin plants grow in the water, where a canoe holds three people. A man stands in the canoe holding a long pole that extends down into the water. Two ducks swim in the foreground, where ripe seed heads of mnoomin appear. An eagle soars against a background of pink and gold clouds. A faint brushstroke flows across the scene.

House of Anansi Press

Mnoomin maan'gowing / The Gift of Mnoomin

A tall city building is on a street corner. At the top of the building in red letters is the book’s title, “The Goat”. A spotlight shines from above and illuminates the front of the building. A white goat is on the roof. On the sidewalk are a person walking their dog, a concierge at the front door, two children, and a person in an electric wheelchair. The awning over the front door has the author’s name, “Anne Fleming”. Beside and behind the building are more buildings.

House of Anansi Press

The Goat

House of Anansi Press

The Composition

Cover: Bury the Lead: a Quill and Packet mystery by Kate Hilton and Elizabeth Renzetti. The cover illustration shows a woman with dark hair and stark features peeking out from behind a red curtain, as if looking out from backstage. There is a blurb at the top which reads, “A whodunit that had me turning pages as fast as I could … an absolute delight!” —Marissa Stapley, New York Times bestselling author of Lucky

House of Anansi Press

Bury the Lead

House of Anansi Press

The Clouds Tell Us

House of Anansi Press

You Can Pick Me Up at Peggy's Cove

House of Anansi Press

Let the Elephants Run

House of Anansi Press

Back in the Land of the Living

House of Anansi Press

The 2021 Griffin Poetry Prize Anthology

Cover: Rock. Written by Laurel Croza and illustrated by Matt James. The illustrations were created with acrylic paint. A round gray rock sits in the foreground on a sandy beach. The perspective of the illustration makes the rock look large. In the background a young child with light skin tone stands in the sand. A white seagull is flying in the distance. The blue water can be seen on the horizon. The rock is casting a shadow to the left and the sky is a peachy orange.

House of Anansi Press

Rock

House of Anansi Press

Lessons from Mother Earth

A small patch of blue sky is visible through the green leaves of multiple trees. Some leaves are maple, some are oak, and in the background are coniferous trees. A squirrel, snail, bird, and dragon flies, and lady bugs are amongst the leaves. In the top right corner is a circled image of a green frog. Text: See to Learn. Forest. Kate Moss Gamblin. Pictures by Karen Patkau.

House of Anansi Press

Forest: A See to Learn Book

Cover: The Outsmarters, by Deborah Ellis. A young girl leans against a tree trunk, looking back at a shed in a yard full of sunlit grass. She has light skin tone and chin-length hair, and she and the tree are shadowed in the foreground. Across the yard, an orange cat sits on top of the worn shed and returns her gaze. A roulette wheel is propped against the falling-apart shed wall. A fence lines the background, with trees behind it against a light blue sky.

House of Anansi Press

The Outsmarters

House of Anansi Press

Grant and Tillie Go Walking

House of Anansi Press

The Three Brothers

House of Anansi Press

Mai at the Predators' Ball

Cover: Myth by Terese Mason Pierre. A seascape appears in silhouette, with a beachy area in the foreground that features a luminous bush and the edge of the water line. Behind this are rolling hills and a palm tree; in the background, large mountains. Three rings of muted colour populate the sky in red, yellow, and blue, with a cloud in the foreground.

House of Anansi Press

Myth

House of Anansi Press

When I Listen to Silence

House of Anansi Press

Out of the Way! Out of the Way!

House of Anansi Press

The Last Wave

My Subway Runs. Written by James Gladstone and illustrated by Pierre Pratt. A group of people on a subway platform wait for the train doors to open. A little kid with light skin tone, short black hair and a blue jacket holds their mom’s hand and looks back over their right shoulder. Mom has light skin tone, long blonde hair, and wears a red coat. A hat appears to have blown away from a tall man’s head and flies over the title “My Subway Runs.”

House of Anansi Press

My Subway Runs

House of Anansi Press

Dos conejos blancos

House of Anansi Press

Buddy and Earl

Cover: One Foot on the Platform: A Rock ’n’ Roll Journey—Writings on Music by Peter Goddard, edited by J.A. Wainwright. A blue cover with white and yellow type showing a greyscale photograph of a musician playing an acoustic guitar to a large audience at the Toronto Rock and Roll Revival show, held at Varsity Stadium in Toronto, Canada, on September 13, 1969.

House of Anansi Press

One Foot on the Platform

Cover: Cats and Us. Written and illustrated by Marta Pantaleo. Translated by Debbie Bibo and Yvette Ghione. On a vibrant red background is a line of people of different ages and skin tones in clothes suggesting they come from different eras in history with different breeds of cats.

House of Anansi Press

Cats and Us

House of Anansi Press

Don't

House of Anansi Press

Reset

House of Anansi Press

Step

House of Anansi Press

The Secret Legacy

House of Anansi Press

Swimming Lessons

House of Anansi Press

Ten Small Tales

Cover: Tauhou by Kōtuku Titihuia Nuttall. A blue background. Two greyscale oolichan fish are parallel, with the head of each adjacent to the other’s tail. The left fish has a Māori-inspired ancestor figure, made up of swirls and a beak-like mouth. Around her are small and simple weaving and carving patterns. The right fish is covered in similar markings. The ancestor figure on this side wears a cedar hat and skirt. Her hands are lifted. Between the fish, the title splits vertically down in white text.

House of Anansi Press

Tauhou

House of Anansi Press

Away

House of Anansi Press

Buddy and Earl Go Exploring

This image is in shades of black and white. Six women hang upside down by their knees from a set of monkey bars. They each wear the same uniform of white shorts with a dark stripe and buttons down the side and a white short-sleeved sweater with a thick dark stripe across the chest. Each woman dangles their arms toward the ground. They all have light skin tone and dark hair. Text: Dunk Tank. Kayla Czaga.

House of Anansi Press

Dunk Tank

House of Anansi Press

Made from Scrap

Maybe a Whale by Kirsten Pendreigh and Crystal Smith. From a bird’s eye view, two people are seen sitting in a yellow kayak paddling across the calm, open ocean. Their paddling creates small, white curls in the light blue water. A large silhouette of a humpback whale is visible swimming below the water, beside the kayak. The head of a second whale is seen swimming on the other side of the kayak.

House of Anansi Press

Maybe a Whale

Cover: Boozhoo! Hello! By Mangeshig Pawis-Steckley. Translated by Mary Ann Corbiere. A wolf is drawn in a Woodland art style, made out of simple organic shapes with smoothed, rounded lines. The wolf walks across the page while looking up at the title. It has a black head, and its body is made up of several different shapes with varying designs in blue, orange, red and green. The background is orange.

House of Anansi Press

Boozhoo! / Hello!

House of Anansi Press

Like This

House of Anansi Press

Martin and the River

House of Anansi Press

The Big Why

House of Anansi Press

Every Object Has a Story

House of Anansi Press

They Say Blue

And Then It's Spring, by Julie Fogliano

Storyglory Kids Inc

And Then It's Spring, by Julie Fogliano

Cover: Eve: The Disobedient Future of Birth by Claire Horn. The main title is in large type centred in the top third of the cover with the subtitle in smaller type centred on the line below. Behind the display type is a drawing of a sapling with roots attached to a transparent amniotic sac in which an upside-down, fully-formed human fetus is curled in on itself. The author’s name appears below the image at the bottom of the cover.

House of Anansi Press

Eve

All That Grows. Words and pictures by Jack Wong. A close-up shows a boy’s face as he stares wide-eyed at four tiny green plants that have sprouted in a bed of soil. The boy has medium skin tone and brown eyes. The title is hand-lettered in green, and the author’s name is in pink.

House of Anansi Press

All That Grows

House of Anansi Press

The Educated Imagination

House of Anansi Press

Ne le fais pas

House of Anansi Press

Out the Window

Cover: Birds on the Brain. By Uma Krishnaswami. Three kids stand on an apartment building rooftop. The girl on the left has medium-dark skin tone, wears her black hair in pigtails and holds a book called "Birds." The girl in the middle has medium skin tone, black hair in looping breads and holds a pair of binoculars. The boy on the right has medium-light skin tone, short black hair and wears a karate uniform. He does a karate pose. Birds of varying species fly in the sky over them.

House of Anansi Press

Birds on the Brain

A boy and a girl stand beside a man at an art table. They all have light skin tone. On the table are papers, paint brushes, and paint. The room they are in has shelves of supplies and books, an easel with a painting, framed canvases against the wall, and a window. A white bird sits on the man’s shoulder. Text: The Art Room. Susan Vande Griek and Pascal Milelli.

House of Anansi Press

The Art Room

House of Anansi Press

Fugue With Bedbug

House of Anansi Press

Out of the Box

House of Anansi Press

The Truth About Stories

The silhouette of a man running is against a blue background. Sections of the background have a geometric Chinese pattern in a darker shade of blue. Inside of the manÕs silhouette is an image in shades of blue. The image shows a city between grassy mountains. Beyond the mountains is water with waves crashing against the sand. Text: Foresight. The Lost Decades of Uncle Chow Tung. Ian Hamilton. From the Bestselling Author of the Ava Lee Series.

House of Anansi Press

Foresight

House of Anansi Press

No Pain Like This Body

House of Anansi Press

Stella, Fairy of the Forest

House of Anansi Press

Gardening Naturally

A gold birdcage is against an orange background. A light blue silhouette shows two birds on a branch in the cage. Text: We Two Alone. Jack Wang. “With ingenuity and impeccable craft, Jack Wang gives us an utterly remarkable collection.” Viet Thanh Nguyen, Pulitzer Prize-winning author of The Sympathizer.

House of Anansi Press

We Two Alone

House of Anansi Press

Mermaids and Ikons

Cover: Boobies by Nancy Vo. A Blue-footed Booby stands with its wings folded behind its back. It has a white body with black wings and a black face. Its legs and webbed feet are blue. The bird wears a green and orange hat with a wide brim. The title “Boobies” is written across the bird so that the two o’s are placed on its chest where breasts would be.

House of Anansi Press

Boobies