Suggested searches

Plant-based protein powders
Vegan leather handbags
Bedroom decor
Waterproof jackets
Hoodies

Learn more about how we use your data to personalize your experience and ads. Recommendations are for informational purposes only.

House of Anansi Press

Products

Products

House of Anansi Press

The Elsewhere Community

4.5 (1,234)

Sold 100+ last 30 days

20% off first order

$15.00

Color

Black

Quantity

Product description loading

Product description loading

This is the product description text that will appear here.

You might also like

Cover: CBC Massey Lectures, The Age of Insecurity: On the Collapse of Our Economic, Emotional, and Ecological Well-being by Astra Taylor. A white arrow points downward, framed by red and black geometric shapes.

House of Anansi Press

The Age of Insecurity

House of Anansi Press

Therefore Choose Life

House of Anansi Press

Eleven Canadian Novelists Interviewed by Graeme Gibson

Cover: “Burying the Moon. By Andrée Poulin and Sonali Zohra.” A girl with medium-dark skin tone stands in a field, facing away from us. The girl wears sandals and a blue dress over a white shirt, and her dark hair is braided. She holds a pick and stares at the big full yellow moon. There is a hole in the ground beneath the moon. The field and sky are shades of purple, blue and pink. There are swirls in the sky behind the moon.

House of Anansi Press

Burying the Moon

House of Anansi Press

A Short History of Progress

Cover: CBC Massey Lectures, What I Mean To Say: Remaking Conversation In Our Time by Ian Williams, award–winning author of Disorientation: Being Black in the World and Reproduction. Below the type are four stylized line drawings of faces with splashes of colour in peach, pink, orange and yellow. The entire cover is framed in a white box according to the CBC Massey Lectures series look.

House of Anansi Press

What I Mean to Say

House of Anansi Press

All Our Relations

Cover: Our Voice of Fire: A Memoir of a Warrior Rising by Brandi Morin. A painted portrait shows a woman with medium-dark skin tone and black hair beating a drum. She wears a cream-coloured dress and stands before a red circle.

House of Anansi Press

Our Voice of Fire

A grassy meadow has colourful wildflowers growing in it. Two girls, one with dark skin tone and one with light skin tone, smile and lay on their stomachs side-by-side in the grass. Their feet are up in the air. Around them are butterflies, a hummingbird, and a turtle. Text: The Homesick Club. Libby Martinez. Rebecca Gibbon.

House of Anansi Press

The Homesick Club

Cover: Death Interrupted: How Modern Medicine is Complicating the Way We Die by Blair Bigham, MD. A small black bar in the upper-left corner of the cover reads The Walrus, to indicate this book is part of a series of books published in partnership with The Walrus magazine. Centred against the off-white background is the cover’s only image: a turquoise stethoscope bent into the loose shape of the letter P. The stethoscope’s chest piece acts as the top of the letter P in the word "interrupted."

House of Anansi Press

Death Interrupted

Two circles overlap on a light grey background. The top circle is blue and the bottom circle is light orange. Where they overlap, their colors are split into wavy lines that still show the outline of each individual circle. Text: The Conscious Creative. Practical Ethics for Purposeful Work. Kelly Small.

House of Anansi Press

The Conscious Creative

Cover: procession by katherena vermette. The title and author's name all appear in white text, stylized in lower case. The backdrop is a close-up image of a beaded quilt, vibrant and detailed, with flowers, paisley, and more designs appearing. The edge of the quilt is beaded in red, and a yellow surface beneath the quilt appears at the bottom-left corner.

House of Anansi Press

Procession

Cover: In Too Deep: When Canadian Punks Took Over the World, by Matt Bobkin and Adam Feibel. The cover has a red background with white and black text. It features a grainy black photograph of an unidentified guitarist jumping in the air in front of a microphone stand.

House of Anansi Press

In Too Deep

Maybe a Whale by Kirsten Pendreigh and Crystal Smith. From a bird’s eye view, two people are seen sitting in a yellow kayak paddling across the calm, open ocean. Their paddling creates small, white curls in the light blue water. A large silhouette of a humpback whale is visible swimming below the water, beside the kayak. The head of a second whale is seen swimming on the other side of the kayak.

House of Anansi Press

Maybe a Whale

Cover: The Golden Daughter: My Mother's Secret Past as a Ukrainian Slave Worker in Nazi Germany by Halina St. James. An illustration of three sunflowers in descending size from the left on a dark blue background: the biggest flower has orange petals, the middle one is yellow, and the smallest one is pink; they all have green stems with leaves.

House of Anansi Press

The Golden Daughter

House of Anansi Press

Twenty-First Century Capitalism

House of Anansi Press

The Educated Imagination

House of Anansi Press

The Triumph of Narrative

House of Anansi Press

Rooster / Gallo

House of Anansi Press

History’s People

House of Anansi Press

The Return of History

House of Anansi Press

The Politics of the Family

This image is a series of scenes. The scene above is a yellow photograph of a strip mall and a stoplight. Signs read, ÒDonuts, Muffins, CakesÓ and ÒGrocery StoreÓ. Two sections, one red and one yellow, with black polka dots, show the title. The scene below is a black and green image of the Toronto skyline on a red background. Text: Frying Plantain. Zalika Reid-Benta. Scotiabank Giller Prize Longlist. ÒAn unforgettable debut.Ó Ð Paul Beaty, Booker Prize-winning author of The Sellout.

House of Anansi Press

Frying Plantain

House of Anansi Press

Mud City

House of Anansi Press

When He Was Free and Young and He Used to Wear Silks

House of Anansi Press

The Lost Spells

House of Anansi Press

Seven Fallen Feathers

House of Anansi Press

Mermaids and Ikons

House of Anansi Press

The Sunshine Project

House of Anansi Press

No Pain Like This Body

House of Anansi Press

Belonging

A blue balloon floats against a white background. Underneath the balloon, at the bottom of the cover, is a silver thumb tack. Text: Payback. Debt and the Shadow Side of Wealth. Margaret Atwood. CBC Massey Lectures.

House of Anansi Press

Payback

House of Anansi Press

More Lost Massey Lectures

A small patch of blue sky is visible through the green leaves of multiple trees. Some leaves are maple, some are oak, and in the background are coniferous trees. A squirrel, snail, bird, and dragon flies, and lady bugs are amongst the leaves. In the top right corner is a circled image of a green frog. Text: See to Learn. Forest. Kate Moss Gamblin. Pictures by Karen Patkau.

House of Anansi Press

Forest: A See to Learn Book

House of Anansi Press

Blood

House of Anansi Press

The Real World of Technology

Small glittering, gold shapes are against a light blue background. The shapes appear to drop from the top of the cover, where they fall into place to form mandala-like patterns at the bottom of the cover. Text: Breaking the Ocean. A Memoir of Race, Rebellion, and Reconciliation. Annahid Dashtgard. “A profound and candid reflection on the realities of race today.” – Waubgeshig Rice, author of Moon of the Crusted Snow.

House of Anansi Press

Breaking the Ocean

Cover: A Daughter's Place by Martha Bátiz. Artwork of two young women in seventeenth-century clothing. One leans on a window ledge, resting her chin on her hand and smiling, while the other peeks out from behind a curtain, holding a cloth to her face. The title and author’s name appear in large, white brush script.

House of Anansi Press

A Daughter's Place

House of Anansi Press

Three Wishes

House of Anansi Press

Does State Spying Make Us Safer?

House of Anansi Press

Second Words

House of Anansi Press

Technology and Empire

Six wings overlap each other against a blue background with black waves. The first wing is white and grey. It is the largest and spreads across the cover. The second is the smallest. It is blue and light blue. The third is small as well, and is green. The fourth is mid-sized, and it is brown and black. The fifth is mid-sized, and it is grey with a black tip. The sixth wing is small and gold. Text: John Thompson. Stilt Jack. Introduction by Rob Winger.

House of Anansi Press

Stilt Jack

House of Anansi Press

My Name Is Parvana

Bright red background. Text is in yellow and black. Text: China and the West. Speakers H.R. McMaster. Michael Pillsbury. Versus Kishore Mahbubani. Huiyao Wang. The Munk Debates.

House of Anansi Press

China and the West

House of Anansi Press

The Universe Within

House of Anansi Press

The Truth About Stories

House of Anansi Press

Winter

One More Mountain by Deborah Ellis. This image is made of eight scenes on an orange background. First, 4 women in hijabs protest on a street. Second, 3 glasses sit on a tray next to a tea pot. Third, a white truck carries soldiers. Fourth, a person wearing a burqa sits under a tree. Fifth, a man holds a bunch of balloons. Sixth, a boy stands on a roof and watches a plane taking off. Seventh, 3 soldiers with guns sit in a teacup. Eighth, a boy with medium skin tone looks at a globe on a table.

House of Anansi Press

One More Mountain

House of Anansi Press

The Malaise of Modernity

House of Anansi Press

Poems for All the Annettes

House of Anansi Press

Big Lonely Doug

House of Anansi Press

Kamouraska

Eight blue butterflies with a strip of black around their wings fly against a light blue background. Each butterfly has their wings flat, and they vary in size. A solar flare shows through one butterfly’s wing. Text: Flannery. Lisa Moore. “Smart, bold, heartbreaking.” Kirkus, starred review.

House of Anansi Press

Flannery

House of Anansi Press

The Bush Garden

Cover: Colonel Parkinson in Charge: A Wry Reflection of my Incurable Illness by François Gravel, translated by Shelley Pomerance. The title is set in yellow against a bright, light teal background, above a white outline sketch of the brain and brain stem. There are approximately 20 small starbursts and dots in yellow, blue, red, and white scattered around the illustration of the brain.

House of Anansi Press

Colonel Parkinson in Charge

Cover: Dangerous Memory, Coming of Age in the Decade of Greed by Charlie Angus, author of the Trillium Award finalist Cobalt. Title appears in black, bold letters on two white bands against a black and turquoise background. Below is a silhouette of a crowd of activists holding up a megaphone and placards protesting nuclear weapons.

House of Anansi Press

Dangerous Memory

House of Anansi Press

Passing Ceremony

Cover: The Outsmarters, by Deborah Ellis. A young girl leans against a tree trunk, looking back at a shed in a yard full of sunlit grass. She has light skin tone and chin-length hair, and she and the tree are shadowed in the foreground. Across the yard, an orange cat sits on top of the worn shed and returns her gaze. A roulette wheel is propped against the falling-apart shed wall. A fence lines the background, with trees behind it against a light blue sky.

House of Anansi Press

The Outsmarters

This image is abstract. Pink, red, blue, and green shapes form peaks and valleys. In each shape are markings that resemble flower petals in varies colours. Text: Celestial Bodies. Jokha Alharthi. The Man Booker International Prize 2019.

House of Anansi Press

Celestial Bodies

House of Anansi Press

Biology As Ideology

House of Anansi Press

Prisons We Choose to Live Inside

House of Anansi Press

Reset

House of Anansi Press

The Breadwinner: A Graphic Novel

House of Anansi Press

Arrival

House of Anansi Press

Asian Vegetables

House of Anansi Press

The Librarianist

A woman with light skin tone holds a bow and arrow taught and ready for the release of the arrow. She aims the arrow toward a bullseye in the air above her. The background is red. Text: Moving Targets. Writing with Intent 1982-2004. Margaret Atwood. Introduction by Jeet Heer.

House of Anansi Press

Moving Targets

Mnoomin maan’gowing/The Gift of Mnoomin. Written by Brittany Luby, illustrated by Joshua Mangeshig Pawis-Steckley, translated by Mary Ann Corbiere. A field of mnoomin plants grow in the water, where a canoe holds three people. A man stands in the canoe holding a long pole that extends down into the water. Two ducks swim in the foreground, where ripe seed heads of mnoomin appear. An eagle soars against a background of pink and gold clouds. A faint brushstroke flows across the scene.

House of Anansi Press

Mnoomin maan'gowing / The Gift of Mnoomin

Cover: Wellwater, poems by Karen Solie. Over an off-white background, the cover featured an illustration of a flowering lilac tree with a thin stem and visible roots.

House of Anansi Press

Wellwater

House of Anansi Press

Chameleon Hours

House of Anansi Press

Channel of Peace

House of Anansi Press

A Florence Diary

Cover: Eyes on the Ice. By Anna Rosner. Two boys depicted in red play hockey on an ice rink at night. They wear knit sweaters, caps and gloves. In the background there are buildings with lit-up windows and an illuminated street lamp. Rising above and behind the scene looms a man wearing a coat, hat and glasses that reflect the white snow.

House of Anansi Press

Eyes on the Ice

(1)

House of Anansi Press

English-Speaking Justice

House of Anansi Press

Democracy on Trial

House of Anansi Press

The Wayfinders

House of Anansi Press

The City of Words

House of Anansi Press

The Breadwinner

House of Anansi Press

The Future of Capitalism

House of Anansi Press

Birding with Yeats

House of Anansi Press

Ideas to Postpone the End of the World

Cover: Her First Palestinian and Other Stories by Saeed Teebi. 'Intelligent, original and bursting with vitality' - Ayelet Tsabari, Author of The Art of Leaving. A soft yellow background with an small orange, unpeeled with the peel spiraling to its right.

House of Anansi Press

Her First Palestinian

House of Anansi Press

Drive

House of Anansi Press

Alden Nowlan Selected Poems

House of Anansi Press

Blue Future

House of Anansi Press

The Big Why

House of Anansi Press

Like This

House of Anansi Press

Arroz con leche / Rice Pudding

House of Anansi Press

Is American Democracy in Crisis?