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House of Anansi Press

Between Sisters

House of Anansi Press

The King's Daughter

Eight blue butterflies with a strip of black around their wings fly against a light blue background. Each butterfly has their wings flat, and they vary in size. A solar flare shows through one butterfly’s wing. Text: Flannery. Lisa Moore. “Smart, bold, heartbreaking.” Kirkus, starred review.

House of Anansi Press

Flannery

House of Anansi Press

The Best Kind of People

African Icons: Ten People who Shaped History by New York Times bestelling author Tracey Baptiste. Illustrated by Hillary D. Wilson. Four people are shown from the chest up with different shades of dark skin tone against a background of pink, yellow, and purple clouds.

House of Anansi Press

African Icons

Cover: Blanket by Ruth Ohi. A white cat with grey fur around each eye is named Cat. Cat wears a pajama shirt and pants that are yellow with red polka dots. Cat sits and holds their knees to their chest under a blue blanket. Across from Cat sits a white dog with grey fur around the eyes and floppy ears. Their name is Dog. They wear a blue sweater with green stripes and white pants. Dog rests their hands on their knees and touches their forehead to Cat’s. They both smile.

House of Anansi Press

Blanket

Cover: “Burying the Moon. By Andrée Poulin and Sonali Zohra.” A girl with medium-dark skin tone stands in a field, facing away from us. The girl wears sandals and a blue dress over a white shirt, and her dark hair is braided. She holds a pick and stares at the big full yellow moon. There is a hole in the ground beneath the moon. The field and sky are shades of purple, blue and pink. There are swirls in the sky behind the moon.

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Burying the Moon

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The Girl of the Wish Garden

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Peach Pit

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Children of War

Lushena

Afrikan People and European Holidays, Vol.1: A Mental Genocide

Cover: My Street Remembers. Written by Karen Krossing and illustrated by Cathie Jamieson. Paintings were inspired by illustrator’s Anishinaabe and Haudenosaunee background, showing organic shapes in thick outlines. A turtle crawls along the sand, leaving footprints behind. The sky is blue. Grass grows above, and under it there is dark earth with a long, curving black line bisected by shorter vertical lines. Pictured on the left side of the page is half of a medicine wheel ringed with a braided grass ring.

House of Anansi Press

My Street Remembers

Go, stories by Deborah Ellis. The background is pale green. Clockwise from the top are six illustrations: A purple basket of various home items, two floor cushions around a wood Go game board covered in black and white pieces; an upside-down dog bowl surrounded by dog kibble and broken glass; an orange shirt, white towel, bar of soap and a toothbrush; a shovel in front of a gravestone; a white chair and a pink purse by a potted tree; and a pair of shoes, red cup and a race bib with the number forty-four.

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Go

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Broughtupsy

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Me enoja / Angry Me

House of Anansi Press

Being Muslim

A photograph shows soft waves on water. The sky overhead is blue with a few big clouds. Thin, yellow lines cover the image in a graphic pattern. In front of the pattern is a black and brown circle that resembles a burn mark in paper. It covers the center of the image. Text: Island. Patrick Downes.

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Island

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Winter Moon Song

House of Anansi Press

This Accident of Being Lost

The Remembering Stone by Carey Sookocheff. A girl and an older man with light skin tone, and a white and brown dog, stand on the edge of a body of water, facing us. A stone the man has just thrown skips toward us. The girl has shoulder-length brown hair with a hair bow, and wears blue overalls, a long-sleeved white and grey striped shirt, and tan shoes. The man is bald with grey hair on the side of his head, and wears a brown cardigan over a white collared shirt, grey checked pants, and grey shoes.

House of Anansi Press

The Remembering Stone

Lushena

Afrikan People and European Holidays: A Mental Genocide, Book 2

Vine Leaves Press

A Thread of Silent Echoes by Patrick Nzabonimpa

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The Composition

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Who Will Bury You?

Cover: Birds on the Brain. By Uma Krishnaswami. Three kids stand on an apartment building rooftop. The girl on the left has medium-dark skin tone, wears her black hair in pigtails and holds a book called "Birds." The girl in the middle has medium skin tone, black hair in looping breads and holds a pair of binoculars. The boy on the right has medium-light skin tone, short black hair and wears a karate uniform. He does a karate pose. Birds of varying species fly in the sky over them.

House of Anansi Press

Birds on the Brain

Zabriskie Buchladen für Kultur und Natur

Gaza - The Story of a Genocide

Cover: "Mii maanda ezhi-gkendmaanh / This Is How I Know. Brittany Luby. Mangeshig Pawis-Steckley". An Anishinaabe child and her grandmother walk along a dirt path. The child races ahead, long black hair streaming behind. The grandmother, with long white hair, follows. In the background are green bushes and a cluster of leafy trees.

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Mii maanda ezhi-gkendmaanh / This Is How I Know

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Almost Invisible

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The Lost Flowers of Alice Hart

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Queen of Hearts

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A Small Madness

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The Betrayal of Africa

We see the back of a boy with light skin tone and blond hair. He wears a pink jacket with dark pink sketches and drawings along the bottom and sleeves. It takes up most of the cover. A girl with light skin tone and black hair stands in front of him with her hands around his neck and shoulders. One of her eyes is visible over his shoulder. Behind them are tropical plants and a power line. Text: Laura Dean Keeps Breaking Up with Me. Mariko Tamaki. New York Times Bestselling Author. Rosemary Valero-O’Connell.

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Laura Dean Keeps Breaking Up with Me

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McMafia

House of Anansi Press

The Girl from Chimel

One More Mountain by Deborah Ellis. This image is made of eight scenes on an orange background. First, 4 women in hijabs protest on a street. Second, 3 glasses sit on a tray next to a tea pot. Third, a white truck carries soldiers. Fourth, a person wearing a burqa sits under a tree. Fifth, a man holds a bunch of balloons. Sixth, a boy stands on a roof and watches a plane taking off. Seventh, 3 soldiers with guns sit in a teacup. Eighth, a boy with medium skin tone looks at a globe on a table.

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One More Mountain

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Three Wishes

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When I Listen to Silence

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How to Restore a Timeline

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The Cat at the Wall

My Country Wept - Re-vived

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Re-vived

My Country Wept

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Angry Me

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I Found Hope in a Cherry Tree

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Based on a True Story

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Rain and Sun

Cover: “Marie-Noëlle Hébert. My Body in Pieces ” A young woman kisses the head of a black cat in her arms. The image is sketched in grayscale with graphite pencils.

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My Body in Pieces

Because I Already Loved You. Written by Andrée-Anne Cyr and illustrated by Bérengère Delaporte. A child clutching a small stuffed animal stands in the middle of the page. Behind him is a baby, drawn in whites and blues.

House of Anansi Press

Because I Already Loved You

Cover: Home For Margaret. Written by Denise Davy. Illustrated by Bérengère Delaporte. A young girl sits with a woman in the snow in front of a blue tent surrounded by bare trees. The girl has medium light skin tone and curly black hair in two buns, and the woman has light skin tone; medium length gray hair and both their cheeks and nose are rosy. The woman’s hands are tucked into her jacket pocket, while the girl raises her arm as she is talking. Beside the young girl in the snow is a white grocery bag.

House of Anansi Press

Home for Margaret

Cover: Abstract painting featuring three indistinct female figures in vibrant colors against a light background. The figures are rendered with broad, expressive brushstrokes, blending hues of orange, red, brown, purple, and yellow. The title The Creation of Half-Broken People is centred on the cover in large letters with the words “a novel” in smaller type below it. The author’s name, Siphiwe Gloria Ndlovu, appears at the bottom of the cover.

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The Creation of Half-Broken People

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Good for Nothing

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The Red Sash

House of Anansi Press

Step

Alone. The Journeys of Three Young Refugees. By Paul Tom and Mélanie Baillairgé. A woman and girl embrace. The girl rests her head on the woman’s shoulders, and the woman wraps her hands around the girl’s body. The woman’s upper body appears to be fading, ghostlike, into the background. Both have dark skin tone and black hair. The woman wears a red dress with long sleeves, and white hoop earrings. The girl appears to be teen age and has a green shirt, black skirt and a black backpack.

House of Anansi Press

Alone

This image is a series of scenes. The scene above is a yellow photograph of a strip mall and a stoplight. Signs read, ÒDonuts, Muffins, CakesÓ and ÒGrocery StoreÓ. Two sections, one red and one yellow, with black polka dots, show the title. The scene below is a black and green image of the Toronto skyline on a red background. Text: Frying Plantain. Zalika Reid-Benta. Scotiabank Giller Prize Longlist. ÒAn unforgettable debut.Ó Ð Paul Beaty, Booker Prize-winning author of The Sellout.

House of Anansi Press

Frying Plantain

Buffalo Flats by Martine Leavitt. A woman with light skin stands in a grassy field with her back to us. Her brown hair is in a long braid down her back. She wears a long blue dress with long sleeves and lace at the collar. A horse grazes in the field. The sun shines from behind the rocky mountains in the background.

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Buffalo Flats

Reparations Club

Nervous Conditions

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Ne le fais pas

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Good Night, Commander

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The Lost Words

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Whenever You Are, by Martine Leavitt, Governor General’s Award Winner and National Book Award Finalist. A young man’s silhouette, visible from the shoulders up, is set against an ombre purple background. Two barred windows are shown against his face where his eyes might be. In one of the windows, the full body of another young man is shown in silhouette.

House of Anansi Press

Whenever You Are

House of Anansi Press

No Safe Place

Cover: Genocide: Revised and Expanded Edition. By Jane Springer. Quote from Horn Book: “An impossible overview of a timely topic.” A stylized drawing shows a man with white skin tone, wearing red, looking down from where he stands on top of a mountain of human skulls. The background is black, and the title lettering is red.

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Genocide

House of Anansi Press

Mustafa

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Kapusta

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Book Uncle and Me

Reparations Club

The Stories from My Grandmother's Hands

House of Anansi Press

Africville

Cover: The Last Last. Written by Wendy J. Whittingham and illustrated by Brianna McCarthy. A young girl floats in bright blue water, smiling with her arms spread wide. Four small, brightly colored fish swim around her. She has dark skin tone with black tight-curly hair parted into twisted pigtails on either side of her head and secured by pink bobbled hair ties. Her eyes are closed as she floats, and her cheeks are a deep rosy color. She wears a pink one-piece swimsuit that has light purple polka-dots.

House of Anansi Press

The Last Last

House of Anansi Press

The Unmemntioable

My Mom Is Like a Kite. Written by Lisl H. Detlefsen and illustrated by Nathalie Dion. A young child with light brown skin and straight black hair leans forward on a table with her arms crossed, looking up and to the right. She wears a tan sweater. To her right, Winkie, a white cat, stands on her hind legs and paws at four kite tails that have pink, yellow, red and teal bows on them.

House of Anansi Press

My Mom Is Like a Kite

House of Anansi Press

Caramba

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Two White Rabbits

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On the Other Side of the Garden

House of Anansi Press

Soft as Bones

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My Grandmother's Hands: Racialized Trauma and the Pathway to Mending Our Hearts and Bodies by Resmaa Menakem - Frugal Bookstore

Frugal Bookstore

My Grandmother's Hands: Racialized Trauma and the Pathway to Mending Our Hearts and Bodies by Resmaa Menakem

Cover: Go Home. By Terry Farish and Lochan Sharma. The cover is filled with a wash of red, white and blue, with patterns of stripes and stars. Under the colors, three faces fill the cover. One is a teenage girl with long hair and an intense expression, and the other two are teenage boys. One of the boys has a mullet hairstyle and an angry expression. The other has short hair, and gazes to the side. The characters are rendered in a black-and-white graphic style.

House of Anansi Press

Go Home

House of Anansi Press

Viola Desmond Won't Be Budged!

This image is in shades of black and white. A child with light skin tone stands in front of a public transit stop in front of a few short buildings. They are in winter clothes with a red hat. The stop has a sign over it written in a Slavic language. Text: A Year Without Mom. Dasha Tolstikova.

House of Anansi Press

A Year Without Mom

Cover: Dangerous Memory, Coming of Age in the Decade of Greed by Charlie Angus, author of the Trillium Award finalist Cobalt. Title appears in black, bold letters on two white bands against a black and turquoise background. Below is a silhouette of a crowd of activists holding up a megaphone and placards protesting nuclear weapons.

House of Anansi Press

Dangerous Memory

Umunyana Coffee

Embrace Life: A Memoir

My Grandmother's Hands: Racialized Trauma and the Pathway to Mending Our Hearts and Bodies by Resmaa Menakem | Mental Health - Paperbacks & Frybread Co.

Paperbacks & Frybread Co.

My Grandmother's Hands: Racialized Trauma and the Pathway to Mending Our Hearts and Bodies by Resmaa Menakem | Mental Health

Thirdeyebag

My Grandmother's Hands

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House of Anansi Press

I Have the Right to Be a Child

House of Anansi Press

The Break

Book cover reading "My Grandmother's hands racialized trauma and the pathway to mending our hearts and bodies Resmaa Menakem MSW" Cover depicts a women in an abstract painting

Venus Envy

My Grandmother's Hands: Racialized Trauma and the Pathway to Mending Our Hearts and Bodies

Cover: “I Have the Right to Culture. Alain Serres and Aurélia Fronty.” The title is centered in red on the yellow cover. Around the title are people with different skin tones and cultures doing different activities. They play a violin and a tambourine, hold a digital and a film studio camera, paint on an easel and a tablet, spray paint a wall, dance with teacups, make pottery, perform on a stage, wear a mask dancing with ribbons, look through a telescope, and read. Small birds and sculptures surround them.

House of Anansi Press

I Have the Right to Culture

House of Anansi Press

True Confessions of a Heartless Girl

Cover: Everything Is Fine Here by Iryn Tushabe. Two black outlines of papyrus swamp plants appear in front of a green background. "A Novel" appears in smaller yellow type.

House of Anansi Press

Everything Is Fine Here

House of Anansi Press

Seamus’s Short Story

Reparations Club

My Grandmother's Hands // Racialized Trauma & the Pathway to Mending Our Hearts & Bodies

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