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Cover: Go Home. By Terry Farish and Lochan Sharma. The cover is filled with a wash of red, white and blue, with patterns of stripes and stars. Under the colors, three faces fill the cover. One is a teenage girl with long hair and an intense expression, and the other two are teenage boys. One of the boys has a mullet hairstyle and an angry expression. The other has short hair, and gazes to the side. The characters are rendered in a black-and-white graphic style.

House of Anansi Press

Go Home

Cover: “Burying the Moon. By Andrée Poulin and Sonali Zohra.” A girl with medium-dark skin tone stands in a field, facing away from us. The girl wears sandals and a blue dress over a white shirt, and her dark hair is braided. She holds a pick and stares at the big full yellow moon. There is a hole in the ground beneath the moon. The field and sky are shades of purple, blue and pink. There are swirls in the sky behind the moon.

House of Anansi Press

Burying the Moon

House of Anansi Press

Naptime

Front cover of Genocide against the Indians. Its Role in the Rise of U.S. Capitalism by George Novack

Pathfinder Press

Genocide against the Indians

House of Anansi Press

The Red Sash

House of Anansi Press

Almost Invisible

House of Anansi Press

Viola Desmond Won't Be Budged!

House of Anansi Press

The Unmemntioable

House of Anansi Press

The Cat at the Wall

House of Anansi Press

Erasing Memory

Crying Dress, Poems, by Cassidy McFadzean. The cover features a sketched illustration of a figure composed of different shapes on textured a beige background. The torso of the figure is a green sphere, the toe is a black point, the right arm a brown bat, the left arm a bell, and the face a combination of a white triangle and red half-circle. The figure has small lips as if it is wearing simple lipstick.

House of Anansi Press

Crying Dress

House of Anansi Press

When I Listen to Silence

Cover: In Too Deep: When Canadian Punks Took Over the World, by Matt Bobkin and Adam Feibel. The cover has a red background with white and black text. It features a grainy black photograph of an unidentified guitarist jumping in the air in front of a microphone stand.

House of Anansi Press

In Too Deep

Cover: "Mii maanda ezhi-gkendmaanh / This Is How I Know. Brittany Luby. Mangeshig Pawis-Steckley". An Anishinaabe child and her grandmother walk along a dirt path. The child races ahead, long black hair streaming behind. The grandmother, with long white hair, follows. In the background are green bushes and a cluster of leafy trees.

House of Anansi Press

Mii maanda ezhi-gkendmaanh / This Is How I Know

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House of Anansi Press

The Girl from Chimel

Alone. The Journeys of Three Young Refugees. By Paul Tom and Mélanie Baillairgé. A woman and girl embrace. The girl rests her head on the woman’s shoulders, and the woman wraps her hands around the girl’s body. The woman’s upper body appears to be fading, ghostlike, into the background. Both have dark skin tone and black hair. The woman wears a red dress with long sleeves, and white hoop earrings. The girl appears to be teen age and has a green shirt, black skirt and a black backpack.

House of Anansi Press

Alone

Cover: “Song for the Snow. By Jon-Erik Lappano and Byron Eggenschwiler.” The title is in thin, hand-drawn white font on a sky that transitions from purple to pink, filled with faint glowing music notes. A girl with light skin tone and chin-length dark hair stands in the middle of the page watching a glowing music note float toward her. She wears a sweater and a knee-length skirt with leggings and holds a snow globe in her hands. Shadowy houses making up a neighborhood are seen in the distance.

House of Anansi Press

Song for the Snow

House of Anansi Press

The Speed of Mercy

Cover: Dangerous Memory, Coming of Age in the Decade of Greed by Charlie Angus, author of the Trillium Award finalist Cobalt. Title appears in black, bold letters on two white bands against a black and turquoise background. Below is a silhouette of a crowd of activists holding up a megaphone and placards protesting nuclear weapons.

House of Anansi Press

Dangerous Memory

Cover: Chrysalis: Stories by Anuja Varghese. The title is centred with the author's name below it. A faint paisley pattern fills the black background. The image is an 18th C painting of a thin reddish branch with heart-shaped leaves and a pale peach flower and two buds. In the bottom left is a pinkish-brown Antheraea polyphemus moth with a brown thorax and two large black spots ringed in white on the lower wings, and two smaller black and white spots on both the upper and lower wings.

House of Anansi Press

Chrysalis

The background resembles a concrete wall. The title is made to look like it is spray painted on the wall in purple paint. Text: My Story Starts Here. Voices of Young Offenders. Deborah Ellis.

House of Anansi Press

My Story Starts Here

House of Anansi Press

Up in the Tree

My Mom Is Like a Kite. Written by Lisl H. Detlefsen and illustrated by Nathalie Dion. A young child with light brown skin and straight black hair leans forward on a table with her arms crossed, looking up and to the right. She wears a tan sweater. To her right, Winkie, a white cat, stands on her hind legs and paws at four kite tails that have pink, yellow, red and teal bows on them.

House of Anansi Press

My Mom Is Like a Kite

House of Anansi Press

The Best Kind of People

Small white dots are on a blue background. There are also six small star shapes among the dots. At the bottom is a dense section of darker blue lines. A pile of three books lay on top of those lines. The title of the book on top reads “Astronomy”. A person and a dog are on top of the books looking up at the dots and stars. Wavy sections of lines cross through the dots and stars. Text: Clear Skies. Jessica Scott Kerrin.

House of Anansi Press

Clear Skies

House of Anansi Press

Town Is by the Sea

Because I Already Loved You. Written by Andrée-Anne Cyr and illustrated by Bérengère Delaporte. A child clutching a small stuffed animal stands in the middle of the page. Behind him is a baby, drawn in whites and blues.

House of Anansi Press

Because I Already Loved You

House of Anansi Press

Basic Black with Pearls

House of Anansi Press

A Family Is a Family Is a Family

Cover: Strange Bewildering Time: Istanbl to Kathmandu in the Last Year of the Hippie Trail by Mark Abley. A vintage colour photograph of a red-orange 1960s bus on a deserted road. Beside the bus is one half of a road sign, with a dark-skinned man standing in front of it. In the background are rolling green hills and a white-tipped mountain, with a blue-green sky above.

House of Anansi Press

Strange Bewildering Time

House of Anansi Press

Friend or Foe?

House of Anansi Press

Jane, the Fox and Me

House of Anansi Press

Stella, Fairy of the Forest

House of Anansi Press

No

House of Anansi Press

When the Doves Disappeared

House of Anansi Press

Kapusta

NAASR

Genocide of Armenians Through Swedish Eyes

House of Anansi Press

The Traveling Circus

Cover: Mrs. Nobody. Written by Y.S. Lee and illustrated by Marie Lafrance. Alice, a girl with light skin tone, black hair and mismatched socks, sits on a large tree branch facing Mrs. Nobody, who has light skin tone and a dress made from vibrant blue, red and yellow leaves. She has an extravagant matching headdress, and a gray-and-white striped tail trails out from underneath her dress.

House of Anansi Press

Mrs. Nobody

House of Anansi Press

Angry Me

Waterline by Aram Mrjoian

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HarperCollins

Waterline

House of Anansi Press

Sita's Ramayana

Cover: Sometimes I Eat with My Hands by Kid Haile, illustrated in a watercolor art style. A young girl with medium-dark skin tone and curly hair in pigtails wears a white T-shirt covered in spaghetti stains. She sits in a highchair holding out fistfuls of spaghetti. The tray in front of her is covered in noodles and an empty pink bowl. in the background there is a stuffed panda covered in noodles, and a baby crawling on the floor toward a tipped-over sippy cup. The background is green with a white border.

House of Anansi Press

Sometimes I Eat with My Hands

House of Anansi Press

The House Next Door

Cover: A girl with green skin tone looks at a yellow envelope that she holds in her hands. The letters “R.S.V.P.” are written on the envelope’s flap. The girl has leafy hair and skirts that trail off the edge of the image. Text: The Invitation. Stacey May Fowles and Marie Lafrance.

House of Anansi Press

The Invitation

House of Anansi Press

Between Sisters

Cover: Momma’s Going to March. By Jennifer Maruno and Vivian Rosas. A woman holds up a white banner, with two children following her against a green background. The woman has medium-light skin tone, brown hair and is wearing a pink crop top. Her banner shows the title text. Behind her, a boy with light skin tone and short brown hair holds his fist up, with his other hand cupped around his mouth. Beside him, a girl with medium skin tone and brown hair in pigtails holds up a sign with a pink heart on it.

House of Anansi Press

Momma's Going to March

House of Anansi Press

Sometimes I Feel Like a Fox

House of Anansi Press

The Book of Fate

House of Anansi Press

Buddy and Earl Go to School

House of Anansi Press

Me enoja / Angry Me

Mnoomin maan’gowing/The Gift of Mnoomin. Written by Brittany Luby, illustrated by Joshua Mangeshig Pawis-Steckley, translated by Mary Ann Corbiere. A field of mnoomin plants grow in the water, where a canoe holds three people. A man stands in the canoe holding a long pole that extends down into the water. Two ducks swim in the foreground, where ripe seed heads of mnoomin appear. An eagle soars against a background of pink and gold clouds. A faint brushstroke flows across the scene.

House of Anansi Press

Mnoomin maan'gowing / The Gift of Mnoomin

House of Anansi Press

The Honeyman Festival

Upper body photograph of Chrystia Freeland standing in front of a grey background, facing the camera, with her arms by her side, smiling slightly. She has a light skin tone and dark blonde hair. She is wearing a black dress with a round neckline and three-quarter-length sleeves. A short double-string of pearls is just visible at the neckline. The title of the book, Chrystia: From Peace River to Parliament Hill is above the photograph and the author’s name, Catherine Tsalikis, is at the bottom of the cover.

House of Anansi Press

Chrystia

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House of Anansi Press

Zagreb Cowboy

House of Anansi Press

The Sisters Brothers (Movie Tie-In Edition)

House of Anansi Press

Migrant

Water laps a sandy shore. On the sand are two children. We can see their rain boots and their clothes. One wears overalls and a shirt and the other wears a pink tutu and sweater. They both hold branches like walking sticks. In the water we can see the children’s reflection. They both have light skin tone and red hair. A boy wears the overalls. A girl wears the tutu. A flower floats on the water. Text: The Biggest Puddle in the World. Mark Lee. Nathalie Dion.

House of Anansi Press

The Biggest Puddle in the World

House of Anansi Press

Looks Like Daylight

House of Anansi Press

Good Night, Commander

Eight blue butterflies with a strip of black around their wings fly against a light blue background. Each butterfly has their wings flat, and they vary in size. A solar flare shows through one butterfly’s wing. Text: Flannery. Lisa Moore. “Smart, bold, heartbreaking.” Kirkus, starred review.

House of Anansi Press

Flannery

House of Anansi Press

Belonging

House of Anansi Press

Stella, Queen of the Snow

House of Anansi Press

Travels with My Family

Cover: Keep: A Novel by Jenny Haysom. A white wall is covered in pieces of overlapping white paper in different sizes. Some lie flat, while others are lifted, casting shadows on the wall. The title, Keep, is written in a black cursive font across the middle of the cover, overlapping many of the pieces of paper, while some of the paper also covers parts of the letters. Jenny Haysom’s name appears at the bottom of the cover in a blocky grey sans serif font. Above that, “A Novel” is written in smaller black le

House of Anansi Press

Keep

House of Anansi Press

February

House of Anansi Press

The Stray and the Strangers

House of Anansi Press

Bitter and Sweet

Cover: Shy Me. Written by Sandra V. Feder and illustrated by Ashley Barron. The images in this book were created using a cut-paper collage art style. A shy child, with light skin tone, ginger hair and a brown hoodie stands with their hands behind their back in front of the white board at the front of a classroom. Three other children gather, looking toward the shy child.

House of Anansi Press

Shy Me

Cover: Theophylline, a poetic migration by Erín Moure. The cover has a sky blue background. The title on the the top third and the author's name on the bottom third are written in black. The subtitle, a poetic migration, is in yellow text, with a few smaller grey letters included so it can also read "an a-poretic migration." All the text repeats like an echo, with certain letters bleeding off the page and many letters reappearing below the main text.

House of Anansi Press

Theophylline

House of Anansi Press

True Confessions of a Heartless Girl

My Name Is Seepeetza by Shirley Sterling. This image features beadwork by Speplól Tanya Zilinski. A tattered and worn black-and-white photograph is in the middle of the image. In the photograph is a girl with light skin tone and brown hair pulled back. She wears a white shirt with a black vest on top. She smiles at the camera. Behind this photograph is a background of small colored beads that form a tapestry. The section behind the photograph is light pink and creamy white in a geometric pattern.

House of Anansi Press

My Name Is Seepeetza

Cover: Middlemen, a MacNiece mystery by Scott Thornley. A Northern Goshawk appears in flight, its wings spread and its talons sharp, poised to grab. Its mouth is wide open, and it is looking down. The bird is lit as though in a spotlight in the dead of night. The author's name and title are in all caps in yellow and pink.

House of Anansi Press

Middlemen

House of Anansi Press

That Night's Train

House of Anansi Press

Chez l'arabe

House of Anansi Press

The Swells

House of Anansi Press

Malaika’s Surprise

Cover: Definitely Thriving, a novel, by Kerry Clare. An illustration of an upside-down green clawfoot bathtub full of bubbles is at the top of the frame, with a multicoloured stack of books at each end of the tub. A woman with light skin tone and dark hair in a messy top-knot reclines in the tub, reading. The title and author’s name are in dark blue brushstroke font set slanted on a yellow background with a few scattered open books and bubbles falling to the bottom of the frame.

House of Anansi Press

Definitely Thriving

House of Anansi Press

Good Morning, Sam

House of Anansi Press

A Sweet Meeting on Mimouna Night

Wildful. Kengo Kurimoto. A young girl sits on a fallen log in the woods, with a black dog beside her. Branches and vines tangle together to form a canopy over their heads, and the silhouette of a deer is visible behind them. The girl has light skin tone, black hair in pigtails, and wears a striped shirt and black pants.

House of Anansi Press

Wildful

House of Anansi Press

The Crazy Man

House of Anansi Press

Spirit Bear

A Friend Is a Friend Is a Friend. Written by Sara O’Leary and illustrated by Qin Leng. A group of fifteen children of various skin tones perch and swing playfully from the branches of a tree.

House of Anansi Press

A Friend Is a Friend Is a Friend

House of Anansi Press

Sometimes I Feel Like a River

A tall city building is on a street corner. At the top of the building in red letters is the book’s title, “The Goat”. A spotlight shines from above and illuminates the front of the building. A white goat is on the roof. On the sidewalk are a person walking their dog, a concierge at the front door, two children, and a person in an electric wheelchair. The awning over the front door has the author’s name, “Anne Fleming”. Beside and behind the building are more buildings.

House of Anansi Press

The Goat

A small patch of blue sky is visible through the green leaves of multiple trees. Some leaves are maple, some are oak, and in the background are coniferous trees. A squirrel, snail, bird, and dragon flies, and lady bugs are amongst the leaves. In the top right corner is a circled image of a green frog. Text: See to Learn. Forest. Kate Moss Gamblin. Pictures by Karen Patkau.

House of Anansi Press

Forest: A See to Learn Book

Cover: “A Kid is a Kid is a Kid, written by Sara O’Leary, illustrated by Qin Leng.” The title looks like it has been printed by a child in different colored crayons. Beneath the title is a group of fourteen kids, illustrated in ink and watercolor. Some look out at us; others talk, laugh, play or wave, having a busy, noisy good time.

House of Anansi Press

A Kid Is a Kid Is a Kid

House of Anansi Press

The Sisters Brothers

Cover: Eyes on the Ice. By Anna Rosner. Two boys depicted in red play hockey on an ice rink at night. They wear knit sweaters, caps and gloves. In the background there are buildings with lit-up windows and an illuminated street lamp. Rising above and behind the scene looms a man wearing a coat, hat and glasses that reflect the white snow.

House of Anansi Press

Eyes on the Ice

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