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House of Anansi Press

That Night's Train

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Harvey

House of Anansi Press

Grant and Tillie Go Walking

Cover: Dangerous Memory, Coming of Age in the Decade of Greed by Charlie Angus, author of the Trillium Award finalist Cobalt. Title appears in black, bold letters on two white bands against a black and turquoise background. Below is a silhouette of a crowd of activists holding up a megaphone and placards protesting nuclear weapons.

House of Anansi Press

Dangerous Memory

A man with light skin tone and brown hair does a handstand. He wears a black and yellow striped sweater and black pants. In front of him is a white dog. The background is a swirl of coloured stripes. Text: Your Turn, Adrian. Helena Öberg. Kristin Lidström.

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Your Turn, Adrian

House of Anansi Press

Ten Small Tales

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Night Cars

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Caramba

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Arrival

A girl with dark skin tone pulls a red wagon behind her against a beige background with an outline of dark beige window panels. In the wagon is a tall pile of red, yellow, blue, and green objects. They tower over her. In front of her is a yellow fire hydrant. Text: Maggie’s Treasure. Jon-Erik Lappano. Kellen Hatanaka.

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Maggie’s Treasure

A man with medium dark skin tone stands in a doorway and holds the two doors open. Inside the space are large machines with gears. Text: Explosion at the Poem Factory. Kyle Lukoff and Mark Hoffmann.

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Explosion at the Poem Factory

House of Anansi Press

Zoom at Sea

House of Anansi Press

Chin Chiang and the Dragon's Dance

House of Anansi Press

Winter

Maggie Lou, Firefox. By Arnolda Dufour Bowes. A girl with medium skin tone and curly brown hair is flanked by two dogs: one brown, the other black and white. She wears boxing gloves around her neck, a yellow sweater, blue vest, green shorts and mismatched knee socks. There is a white bandage around one knee. She stands on grass against a purple sky and a pink and orange sun.

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Maggie Lou, Firefox

House of Anansi Press

Grandmother’s Visit

House of Anansi Press

Night Walk

This image is in shades of black and white. A child with light skin tone stands in front of a public transit stop in front of a few short buildings. They are in winter clothes with a red hat. The stop has a sign over it written in a Slavic language. Text: A Year Without Mom. Dasha Tolstikova.

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A Year Without Mom

House of Anansi Press

The Sisters Brothers

Cover: Birds on the Brain. By Uma Krishnaswami. Three kids stand on an apartment building rooftop. The girl on the left has medium-dark skin tone, wears her black hair in pigtails and holds a book called "Birds." The girl in the middle has medium skin tone, black hair in looping breads and holds a pair of binoculars. The boy on the right has medium-light skin tone, short black hair and wears a karate uniform. He does a karate pose. Birds of varying species fly in the sky over them.

House of Anansi Press

Birds on the Brain

A brown owl flies through mist. Its eyes are yellow. Its feathers are spotted and striped with different shades of brown. Text: An Owl at Sea. Susan Vande Griek. Ian Wallace.

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An Owl at Sea

House of Anansi Press

The Composition

Alone. The Journeys of Three Young Refugees. By Paul Tom and Mélanie Baillairgé. A woman and girl embrace. The girl rests her head on the woman’s shoulders, and the woman wraps her hands around the girl’s body. The woman’s upper body appears to be fading, ghostlike, into the background. Both have dark skin tone and black hair. The woman wears a red dress with long sleeves, and white hoop earrings. The girl appears to be teen age and has a green shirt, black skirt and a black backpack.

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Alone

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Seven Fallen Feathers

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Sita's Ramayana

Cover: The One and Only Question. Written by Norma Charles and Andrea Charles. Illustrated by Ken Daley. Zeke, a young boy with medium-dark skin tone, an afro and teal shirt with a yellow crown on it, walks away from the yellow school bus in the background. Behind him, another young boy with medium skin tone, glasses, a green hoodie and yellow shoes steps down the stairs to exit the bus. Children of a variety of ethnicities can be seen in the windows of the bus.

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The One and Only Question

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Good Morning, Sam

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Louis Undercover

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Soft as Bones

(1)

A small yellow house is between two tall, forested mountains. A crooked ladder rises from the house into the sky and off the page. A person in a red jacket is most of the way up the ladder. The person’s shadow is large on the ground. Text: Climbing Shadows. Poems for Children. Shannon Bramer. Pictures by Cindy Derby.

House of Anansi Press

Climbing Shadows

Water laps a sandy shore. On the sand are two children. We can see their rain boots and their clothes. One wears overalls and a shirt and the other wears a pink tutu and sweater. They both hold branches like walking sticks. In the water we can see the children’s reflection. They both have light skin tone and red hair. A boy wears the overalls. A girl wears the tutu. A flower floats on the water. Text: The Biggest Puddle in the World. Mark Lee. Nathalie Dion.

House of Anansi Press

The Biggest Puddle in the World

Cover: Blanket by Ruth Ohi. A white cat with grey fur around each eye is named Cat. Cat wears a pajama shirt and pants that are yellow with red polka dots. Cat sits and holds their knees to their chest under a blue blanket. Across from Cat sits a white dog with grey fur around the eyes and floppy ears. Their name is Dog. They wear a blue sweater with green stripes and white pants. Dog rests their hands on their knees and touches their forehead to Cat’s. They both smile.

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Blanket

Cover: “Aquí era el paraíso. Here Was Paradise. Humberto Ak’abal. Poemas seleccionados. Selected Poems. Arte por / Art by Amelia Lau Carling.” A jaguar head painted in watercolor fills the foreground. The background is composed of green hills covered with people, animals, a house, a pickup truck and trees, and a blue body of water where people bathe. The bottom quarter of the background behind the hills is turquoise, and the top three quarters are orange.

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Aquí era el paraíso / Here Was Paradise

House of Anansi Press

Basic Black with Pearls

House of Anansi Press

Almost Invisible

Bare, white trees line a small, round pond. Animals in shades of white peek out from the trees and tall grass. At the opposite end of the pond is a child and a dog standing in grass. They are in shades of black and white. Text: At the Pond. Geraldo Valério.

House of Anansi Press

At the Pond

Cover: Go Home. By Terry Farish and Lochan Sharma. The cover is filled with a wash of red, white and blue, with patterns of stripes and stars. Under the colors, three faces fill the cover. One is a teenage girl with long hair and an intense expression, and the other two are teenage boys. One of the boys has a mullet hairstyle and an angry expression. The other has short hair, and gazes to the side. The characters are rendered in a black-and-white graphic style.

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Go Home

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The Funeral

House of Anansi Press

Biology As Ideology

Dark blue vines curl along the sides of a light blue background. At the bottom of the vines are two small circles made by the branches, each with a rose. In the left circle is a man’s face and in the right circle is a woman’s face. In between the two is a girl with earphones. All three people have light skin tone and black hair. At the top of the vines are pink roses. In between them is the silhouette of a woman on stage in front of many seats. Text: Operatic. Kyo Maclear. Byron Eggenschwiler.

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Operatic

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The Girl of the Wish Garden

Audrey's Museum Store

Good Night - Buenas Noches

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A Coyote Columbus Story

A woman with light skin tone holds a bow and arrow taught and ready for the release of the arrow. She aims the arrow toward a bullseye in the air above her. The background is red. Text: Moving Targets. Writing with Intent 1982-2004. Margaret Atwood. Introduction by Jeet Heer.

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Moving Targets

A black tree is against a yellow background. The tree has white fruit shaped like pears and black leaves. The silhouette of a girl and a chicken are in the tree sitting on a high branch. Text: How to Bee. Bren MacDibble.

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How to Bee

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Friend or Foe?

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Once Upon a Northern Night

House of Anansi Press

Ghost Train

A drawing of a bird is in white against a green background. The bird has slender wings and stands in short grass. Text: The Caiplie Caves. Karen Solie.

House of Anansi Press

The Caiplie Caves

Farming land is divided into sections. On a grassy section is a windmill, a tractor, and three chickens. A red roof looks out over the land. On the roof sits a white cat. Text: The Mostly True Story of Pudding Tat, Adventuring Cat. Caroline Adderson.

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The Mostly True Story of Pudding Tat, Adventuring Cat

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Bear’s Winter Party

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Step

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The Stray and the Strangers

Cover: Chrysalis: Stories by Anuja Varghese. The title is centred with the author's name below it. A faint paisley pattern fills the black background. The image is an 18th C painting of a thin reddish branch with heart-shaped leaves and a pale peach flower and two buds. In the bottom left is a pinkish-brown Antheraea polyphemus moth with a brown thorax and two large black spots ringed in white on the lower wings, and two smaller black and white spots on both the upper and lower wings.

House of Anansi Press

Chrysalis

Cover: “My Mad Hair Day. By Nathalie Dion.” The red title text is placed on yellow and white striped wallpaper and is surrounded by bushy, curly blonde hair that fills the page. The hair belongs to a young girl with light skin tone standing in the center of the page with her eyebrows raised and her mouth shaped like an “o.” She wears a short green dress and holds a bag in each hand, one green striped and the other a red gingham. The floor beneath her feet is red tile.

House of Anansi Press

My Mad Hair Day

House of Anansi Press

Busy, Busy Birds

House of Anansi Press

Mustafa

Maybe a Whale by Kirsten Pendreigh and Crystal Smith. From a bird’s eye view, two people are seen sitting in a yellow kayak paddling across the calm, open ocean. Their paddling creates small, white curls in the light blue water. A large silhouette of a humpback whale is visible swimming below the water, beside the kayak. The head of a second whale is seen swimming on the other side of the kayak.

House of Anansi Press

Maybe a Whale

Cover: Strange Bewildering Time: Istanbl to Kathmandu in the Last Year of the Hippie Trail by Mark Abley. A vintage colour photograph of a red-orange 1960s bus on a deserted road. Beside the bus is one half of a road sign, with a dark-skinned man standing in front of it. In the background are rolling green hills and a white-tipped mountain, with a blue-green sky above.

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Strange Bewildering Time

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Short Stories for Little Monsters

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A Simple Case of Angels

Cover: “Burying the Moon. By Andrée Poulin and Sonali Zohra.” A girl with medium-dark skin tone stands in a field, facing away from us. The girl wears sandals and a blue dress over a white shirt, and her dark hair is braided. She holds a pick and stares at the big full yellow moon. There is a hole in the ground beneath the moon. The field and sky are shades of purple, blue and pink. There are swirls in the sky behind the moon.

House of Anansi Press

Burying the Moon

The Remembering Stone by Carey Sookocheff. A girl and an older man with light skin tone, and a white and brown dog, stand on the edge of a body of water, facing us. A stone the man has just thrown skips toward us. The girl has shoulder-length brown hair with a hair bow, and wears blue overalls, a long-sleeved white and grey striped shirt, and tan shoes. The man is bald with grey hair on the side of his head, and wears a brown cardigan over a white collared shirt, grey checked pants, and grey shoes.

House of Anansi Press

The Remembering Stone

Cover: Colonel Parkinson in Charge: A Wry Reflection of my Incurable Illness by François Gravel, translated by Shelley Pomerance. The title is set in yellow against a bright, light teal background, above a white outline sketch of the brain and brain stem. There are approximately 20 small starbursts and dots in yellow, blue, red, and white scattered around the illustration of the brain.

House of Anansi Press

Colonel Parkinson in Charge

House of Anansi Press

Doggy Slippers

Because I Already Loved You. Written by Andrée-Anne Cyr and illustrated by Bérengère Delaporte. A child clutching a small stuffed animal stands in the middle of the page. Behind him is a baby, drawn in whites and blues.

House of Anansi Press

Because I Already Loved You

This image is in shades of black and white. A black shape like an oval with pointed ends in is the middle of the page. A boy is in the middle of the shape. Text: A Serious Thought. Jonas Taul.

House of Anansi Press

A Serious Thought

House of Anansi Press

The Hollow under the Tree

This image is a series of scenes. The scene above is a yellow photograph of a strip mall and a stoplight. Signs read, ÒDonuts, Muffins, CakesÓ and ÒGrocery StoreÓ. Two sections, one red and one yellow, with black polka dots, show the title. The scene below is a black and green image of the Toronto skyline on a red background. Text: Frying Plantain. Zalika Reid-Benta. Scotiabank Giller Prize Longlist. ÒAn unforgettable debut.Ó Ð Paul Beaty, Booker Prize-winning author of The Sellout.

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Frying Plantain

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Buddy and Earl Meet the Neighbors

Cover: A Single Dreadlock. Written by Xaiver Michael Campbell and illustrated by Eugenie Fernandes. A close-up of half of a young boy’s smiling face is shown on the right side of the cover. He has dark skin tone and light brown eyes. His hair is dark brown, medium length and tightly curled, except for one single dreadlock. Over his shoulder we see a red-and-white fishing boat with a lobster trap on the back. It floats in front of a red boathouse on large wooden beams. Behind that, are rolling grassy hills.

House of Anansi Press

A Single Dreadlock

House of Anansi Press

No

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Skim

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Big Lonely Doug

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The White Cat and the Monk

Cover: Sometimes I Eat with My Hands by Kid Haile, illustrated in a watercolor art style. A young girl with medium-dark skin tone and curly hair in pigtails wears a white T-shirt covered in spaghetti stains. She sits in a highchair holding out fistfuls of spaghetti. The tray in front of her is covered in noodles and an empty pink bowl. in the background there is a stuffed panda covered in noodles, and a baby crawling on the floor toward a tipped-over sippy cup. The background is green with a white border.

House of Anansi Press

Sometimes I Eat with My Hands

Cover: Home For Margaret. Written by Denise Davy. Illustrated by Bérengère Delaporte. A young girl sits with a woman in the snow in front of a blue tent surrounded by bare trees. The girl has medium light skin tone and curly black hair in two buns, and the woman has light skin tone; medium length gray hair and both their cheeks and nose are rosy. The woman’s hands are tucked into her jacket pocket, while the girl raises her arm as she is talking. Beside the young girl in the snow is a white grocery bag.

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Home for Margaret

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Caramba and Henry

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Layaway Child

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I Found Hope in a Cherry Tree

We see the back of a boy with light skin tone and blond hair. He wears a pink jacket with dark pink sketches and drawings along the bottom and sleeves. It takes up most of the cover. A girl with light skin tone and black hair stands in front of him with her hands around his neck and shoulders. One of her eyes is visible over his shoulder. Behind them are tropical plants and a power line. Text: Laura Dean Keeps Breaking Up with Me. Mariko Tamaki. New York Times Bestselling Author. Rosemary Valero-O’Connell.

House of Anansi Press

Laura Dean Keeps Breaking Up with Me

One More Mountain by Deborah Ellis. This image is made of eight scenes on an orange background. First, 4 women in hijabs protest on a street. Second, 3 glasses sit on a tray next to a tea pot. Third, a white truck carries soldiers. Fourth, a person wearing a burqa sits under a tree. Fifth, a man holds a bunch of balloons. Sixth, a boy stands on a roof and watches a plane taking off. Seventh, 3 soldiers with guns sit in a teacup. Eighth, a boy with medium skin tone looks at a globe on a table.

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One More Mountain

House of Anansi Press

Avis Dolphin

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The Bush Garden

My Subway Runs. Written by James Gladstone and illustrated by Pierre Pratt. A group of people on a subway platform wait for the train doors to open. A little kid with light skin tone, short black hair and a blue jacket holds their mom’s hand and looks back over their right shoulder. Mom has light skin tone, long blonde hair, and wears a red coat. A hat appears to have blown away from a tall man’s head and flies over the title “My Subway Runs.”

House of Anansi Press

My Subway Runs

The mid-section of a tree shows thick branches and many bunches of green leaves. A girl with light skin tone and brown hair sits in a branch wearing a blue nightgown. Text: The Bird in Me Flies. Sara Lundberg.

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The Bird in Me Flies

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The Cat at the Wall

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Alego

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Birding with Yeats

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The Girl from Chimel