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House of Anansi Press

The Quiet

House of Anansi Press

The Lost Flowers of Alice Hart

House of Anansi Press

Winter Moon Song

Cover: Valid, Dystopian Autofiction, by Chris Bergeron, translated by Natalia Hero. Hot-pink type against a black background fills the entire cover.

House of Anansi Press

Valid

Cover: Wellwater, poems by Karen Solie. Over an off-white background, the cover featured an illustration of a flowering lilac tree with a thin stem and visible roots.

House of Anansi Press

Wellwater

House of Anansi Press

Pigeon

Cover: The All + Flesh, poems by Brandi Bird. A vibrant, impressionist-style painting of a golden sunset over a red horizon. The sky blends from teal at the top to a bright yellow around the white sun, which reflects like a flaming spotlight on the ground. The brush strokes are cross-hatched in the sky, giving the appearance of downward motion, while the ground appears sponged.

House of Anansi Press

The All + Flesh

House of Anansi Press

Up in the Tree

House of Anansi Press

French Exit

House of Anansi Press

Ideas to Postpone the End of the World

Mnoomin maan’gowing/The Gift of Mnoomin. Written by Brittany Luby, illustrated by Joshua Mangeshig Pawis-Steckley, translated by Mary Ann Corbiere. A field of mnoomin plants grow in the water, where a canoe holds three people. A man stands in the canoe holding a long pole that extends down into the water. Two ducks swim in the foreground, where ripe seed heads of mnoomin appear. An eagle soars against a background of pink and gold clouds. A faint brushstroke flows across the scene.

House of Anansi Press

Mnoomin maan'gowing / The Gift of Mnoomin

House of Anansi Press

Soft as Bones

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House of Anansi Press

The Enchanted Life

House of Anansi Press

Norma

House of Anansi Press

A Pond, a Poet, and Three Pests

House of Anansi Press

Congratulations, Rhododendrons

This image is in shades of black and white. Six women hang upside down by their knees from a set of monkey bars. They each wear the same uniform of white shorts with a dark stripe and buttons down the side and a white short-sleeved sweater with a thick dark stripe across the chest. Each woman dangles their arms toward the ground. They all have light skin tone and dark hair. Text: Dunk Tank. Kayla Czaga.

House of Anansi Press

Dunk Tank

House of Anansi Press

Scientific Marvel

Cover: Ultra Blue by Graeme Bezanson. The text appears in thick yellow brush strokes over a red background, with "poems" appearing in white. In the center, a wolf springs forward, its head tilted toward the reader with a somewhat feral smile.

House of Anansi Press

Ultra Blue

House of Anansi Press

Atonement

House of Anansi Press

Eleven Canadian Novelists Interviewed by Graeme Gibson

Cover: procession by katherena vermette. The title and author's name all appear in white text, stylized in lower case. The backdrop is a close-up image of a beaded quilt, vibrant and detailed, with flowers, paisley, and more designs appearing. The edge of the quilt is beaded in red, and a yellow surface beneath the quilt appears at the bottom-left corner.

House of Anansi Press

Procession

House of Anansi Press

Ten Small Tales

On Wholeness: Anishinaabe Pathways to Embodiment and Collective Liberation by Quill Christie-Peters. The cover features abstract, colourful artwork against a brown background. Organic shapes, some humanlike, and swirling lines reminiscent of waterways and galaxies flow out of a dark hole with red blood dripping from its bottom edge. The hole is flanked by two bears and two thunderbirds on either side.

House of Anansi Press

On Wholeness

Cover: The Griffin Poetry Prize Anthology 2024: A Selection of the Shortlist. Amelia M. Glasser / Yuliya Ilchuk / Halyna Kruk / Jorie Graham / Ishion Hutinson / Ann Lauterbach / George McWhirter / Homero Aridjis. Edited by Albert F. Moritz. In the centre of the cover is a black and white image of a lush forrest.

House of Anansi Press

Griffin Poetry Prize Anthology 2024

House of Anansi Press

The Book of Birds

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Cover: In a Land Without Dogs the Cats Learn to Bark by Jonathan Garfinkel. Black and white text of the title is set in a Soviet-era propaganda font. A small black illustration of a cat walking is in the middle-right of the page. The background is red.

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In a Land without Dogs the Cats Learn to Bark

House of Anansi Press

Letters to Kafka

House of Anansi Press

The Bush Garden

House of Anansi Press

The Betrayal of Africa

Cover: Myth by Terese Mason Pierre. A seascape appears in silhouette, with a beachy area in the foreground that features a luminous bush and the edge of the water line. Behind this are rolling hills and a palm tree; in the background, large mountains. Three rings of muted colour populate the sky in red, yellow, and blue, with a cloud in the foreground.

House of Anansi Press

Myth

This image is in shades of black and white. A statue on a cliff looks out over the ruins of an old city. The statue resembles a man with short curly hair. It has one arm out and is has a draped cloak around it. The ruins of the city are mainly rubble and stone walls with window openings. The buildings are densely packed together. Text: Erín Moure. The Elements. (Nam:Loz).

House of Anansi Press

The Elements

House of Anansi Press

The Lost Spells

Cover: Passengers by Michael Crummey. The words "passengers" and "poems," as well as the author's name, are stylized to form the shape of Newfoundland. The text is in black and red.

House of Anansi Press

Passengers

House of Anansi Press

The Book of Fate

Cover: Theophylline, a poetic migration by Erín Moure. The cover has a sky blue background. The title on the the top third and the author's name on the bottom third are written in black. The subtitle, a poetic migration, is in yellow text, with a few smaller grey letters included so it can also read "an a-poretic migration." All the text repeats like an echo, with certain letters bleeding off the page and many letters reappearing below the main text.

House of Anansi Press

Theophylline

House of Anansi Press

The 2021 Griffin Poetry Prize Anthology

House of Anansi Press

The Educated Imagination

Maggie Lou, Firefox. By Arnolda Dufour Bowes. A girl with medium skin tone and curly brown hair is flanked by two dogs: one brown, the other black and white. She wears boxing gloves around her neck, a yellow sweater, blue vest, green shorts and mismatched knee socks. There is a white bandage around one knee. She stands on grass against a purple sky and a pink and orange sun.

House of Anansi Press

Maggie Lou, Firefox

House of Anansi Press

Stella, Fairy of the Forest

House of Anansi Press

Minds of Winter

House of Anansi Press

Based on a True Story

House of Anansi Press

The Breadwinner Trilogy

House of Anansi Press

The Girl of the Wish Garden

House of Anansi Press

The Three Brothers

House of Anansi Press

The Quiet

Cover: Shadow Price by Farah Ghafoor. Over a bright yellow background, the cover features an illustrated pair of hands making casting a shadow puppet in the shape of a dog.

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Shadow Price

House of Anansi Press

The Lost Words

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House of Anansi Press

The 2022 Griffin Poetry Prize Anthology

Cover: The Rehearsal Club. By Kate Fodor and Laurie Petrou. A girl talks on her cell phone while standing in front of a theatre poster on a brick wall that shows a woman in 1950s clothes talking on a rotary phone. The girl has pale skin tone, brown hair, and wears a red sweater. She smiles out at us. The poster girl is winking and has pale skin tone and curled blonde hair, and wears a blue dress. She sits at dressing-room mirror surrounded by lights. There are red roses in the background, and a photo of the

House of Anansi Press

The Rehearsal Club

House of Anansi Press

Holding Still For As Long As Possible

House of Anansi Press

Intruder

Cover: A Horse at the Window by Spencer Gordon. A painting of a person with fire coming out of their head. They are wearing a black suit jacket. and holding a flaming flower.

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A Horse at the Window

House of Anansi Press

Like This

Cover: “Summer in the City. Marie-Louise Gay and David Homel.” Two boys peer out of a red tent, spotting a skunk with their flashlight. The tent is set up in a fenced-in yard behind a residential house. A cat stands on the top of the tent, tail raised. Tall buildings are visible in the background. Bats fly in the night sky around a full moon.

House of Anansi Press

Summer in the City

House of Anansi Press

Birding with Yeats

Cover: House of Anansi presents Xanax Cowboy, poems, written and directed by Hannah Green. The cover is yellow, monochrome. The title text is large and black, and the font appears as though stamped with ink.

House of Anansi Press

Xanax Cowboy

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House of Anansi Press

Zoom at Sea

Walking Trees by Marie-Louise Gay. A girl with pale skin tone and black hair walks while holding a leash in one hand and a watering can in the other. In the background there is a city scape depicted as white line drawings against a forest-green background. Seagulls fly across the scene. Leaves sprout from the title lettering.

House of Anansi Press

Walking Trees

Cover: “Aquí era el paraíso. Here Was Paradise. Humberto Ak’abal. Poemas seleccionados. Selected Poems. Arte por / Art by Amelia Lau Carling.” A jaguar head painted in watercolor fills the foreground. The background is composed of green hills covered with people, animals, a house, a pickup truck and trees, and a blue body of water where people bathe. The bottom quarter of the background behind the hills is turquoise, and the top three quarters are orange.

House of Anansi Press

Aquí era el paraíso / Here Was Paradise

House of Anansi Press

My Grief, the Sun

House of Anansi Press

The Polymers

House of Anansi Press

Second Words

House of Anansi Press

The Best Kind of People

House of Anansi Press

A Sweet Meeting on Mimouna Night

House of Anansi Press

Endings

House of Anansi Press

Minimal

Cover: Eve: The Disobedient Future of Birth by Claire Horn. The main title is in large type centred in the top third of the cover with the subtitle in smaller type centred on the line below. Behind the display type is a drawing of a sapling with roots attached to a transparent amniotic sac in which an upside-down, fully-formed human fetus is curled in on itself. The author’s name appears below the image at the bottom of the cover.

House of Anansi Press

Eve

Cover: Our Voice of Fire: A Memoir of a Warrior Rising by Brandi Morin. A painted portrait shows a woman with medium-dark skin tone and black hair beating a drum. She wears a cream-coloured dress and stands before a red circle.

House of Anansi Press

Our Voice of Fire

House of Anansi Press

The Composition

House of Anansi Press

Museum of Bone and Water

House of Anansi Press

Shrewed

House of Anansi Press

Spirit Bear

House of Anansi Press

Fearless as Possible (Under the Circumstances)

House of Anansi Press

river woman

Cover: Midway, poems by Kayla Czaga. Most of the cover is taken up by the sky at dusk. The bottom edge of a steep hill leads into a still body of water. Near the shoreline is a lit-up Ferris wheel surrounded by a few RVs and strings of colourful lights.

House of Anansi Press

Midway

House of Anansi Press

Griffin Poetry Prize Anthology 2026

House of Anansi Press

The Exiles' Gallery

Cover: Great Silent Ballad: poems by A. F. Moritz. A Renaissance-style painting primarily features two figures, one playing a violin and the other playing a lute. The face of a third figure looks down and to the right at the bottom-left of the page, and the body of a fourth appears on the upper right section.

House of Anansi Press

Great Silent Ballad

Cover: Pitiful by Brandi Bird. The text is white over a back backgound, with "poems" appearing in red. In the center, an illustration in red shows a hand reaching up from the ocean, through waves that also look like hands. At the bottom, a blurb reads, "Far from a whimper, Pitiful is a vital battle cry and a song." —Marya Hornbacher

House of Anansi Press

Pitiful

A drawing of a bird is in white against a green background. The bird has slender wings and stands in short grass. Text: The Caiplie Caves. Karen Solie.

House of Anansi Press

The Caiplie Caves

Cover: A Love Affair with the Unknown: Leaning into the Uncertainty of Modern Life by Gill Deacon. A painting by the author of a woman in a black bathing suit jumping off a green cliff into the water below against a cloudy sky. The title is stacked over this background with the author's name below it.

House of Anansi Press

A Love Affair with the Unknown

House of Anansi Press

Turtle Pond

House of Anansi Press

Tokyo Digs a Garden

The mid-section of a tree shows thick branches and many bunches of green leaves. A girl with light skin tone and brown hair sits in a branch wearing a blue nightgown. Text: The Bird in Me Flies. Sara Lundberg.

House of Anansi Press

The Bird in Me Flies

House of Anansi Press

The Greats

House of Anansi Press

Others Like Me

This image is a series of scenes. The scene above is a yellow photograph of a strip mall and a stoplight. Signs read, ÒDonuts, Muffins, CakesÓ and ÒGrocery StoreÓ. Two sections, one red and one yellow, with black polka dots, show the title. The scene below is a black and green image of the Toronto skyline on a red background. Text: Frying Plantain. Zalika Reid-Benta. Scotiabank Giller Prize Longlist. ÒAn unforgettable debut.Ó Ð Paul Beaty, Booker Prize-winning author of The Sellout.

House of Anansi Press

Frying Plantain

House of Anansi Press

The Big Why

House of Anansi Press

This Accident of Being Lost