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House of Anansi Press

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House of Anansi Press

Made from Scrap

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What happens to scrap — the big metal objects we throw away?
Read the fascinating stories of people who have been inspired by material that already exists and have used it to create something new. We meet Fah Boonsoong in Bangkok, Thailand...

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Two circles overlap on a light grey background. The top circle is blue and the bottom circle is light orange. Where they overlap, their colors are split into wavy lines that still show the outline of each individual circle. Text: The Conscious Creative. Practical Ethics for Purposeful Work. Kelly Small.

House of Anansi Press

The Conscious Creative

Cover: Pebbles to the Sea by Marie-Andrée Arsenault. Illustrated by Dominique Leroux. These illustrations were made with paint and collage including cut-out photos, torn paper, and lace. We see the backs of two girls as they face the sea. The water is choppy and dark. They wear sweaters, hats, skirts over their leggings, and rain boots. A small town is across the water. The top and bottom of the image are lined in white lace.

House of Anansi Press

Pebbles to the Sea

Cover: A Coyote Solstice Tale by Thomas King. Illustrated by Gary Clement. It is nighttime and snowing. A beaver, an otter, a coyote, a girl with light skin tone and short black hair, a brown bear and a grey moose ride together down a snowy hill on a wooden toboggan. They wear winter scarves, jackets and hats.

House of Anansi Press

A Coyote Solstice Tale

Cover: "Mii maanda ezhi-gkendmaanh / This Is How I Know. Brittany Luby. Mangeshig Pawis-Steckley". An Anishinaabe child and her grandmother walk along a dirt path. The child races ahead, long black hair streaming behind. The grandmother, with long white hair, follows. In the background are green bushes and a cluster of leafy trees.

House of Anansi Press

Mii maanda ezhi-gkendmaanh / This Is How I Know

(1)

Cover: Coyote Tales by Thomas King. A coyote stands up with his arms on his hips and looks up at the moon. The moon looks down on the coyote neutrally. It has pink lipstick and blush.

House of Anansi Press

Coyote Tales

House of Anansi Press

You Can Pick Me Up at Peggy's Cove

House of Anansi Press

Martin and the River

House of Anansi Press

Buddy and Earl

House of Anansi Press

Naptime

Sometimes I Feel Like an Oak, by Danielle Daniel and Jackie Traverse. A young girl stands at the base of a large, leafy tree, looking up. The girl has medium skin tone, long black hair in a single braid, and wears a purple shirt and long purple skirt, with mocassins on her feet. The sky in the background is made up of swirling patterns and shapes in rainbow colors.

House of Anansi Press

Sometimes I Feel Like an Oak

House of Anansi Press

Spud in Winter

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Gifts from the Garbage Truck

House of Anansi Press

West Coast Wild ABC

Cover: Birds on the Brain. By Uma Krishnaswami. Three kids stand on an apartment building rooftop. The girl on the left has medium-dark skin tone, wears her black hair in pigtails and holds a book called "Birds." The girl in the middle has medium skin tone, black hair in looping breads and holds a pair of binoculars. The boy on the right has medium-light skin tone, short black hair and wears a karate uniform. He does a karate pose. Birds of varying species fly in the sky over them.

House of Anansi Press

Birds on the Brain

House of Anansi Press

The Three Brothers

Cover: Myth by Terese Mason Pierre. A seascape appears in silhouette, with a beachy area in the foreground that features a luminous bush and the edge of the water line. Behind this are rolling hills and a palm tree; in the background, large mountains. Three rings of muted colour populate the sky in red, yellow, and blue, with a cloud in the foreground.

House of Anansi Press

Myth

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The Red Sash

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The Big Why

House of Anansi Press

Away

House of Anansi Press

Ideas to Postpone the End of the World

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Así Se Hacen Las Cosas

Cover: One Can. Written by Lana Button and Eric Walters. Illustrated by Isabelle Malenfant. All illustrations in this book are in soft, muted colors. A young child sits cross-legged on the floor. A single can of food sits in front of them. The child has light skin tone, short black hair and wears a dark yellow sweater, blue pants with white socks and blue sneakers. They have rosy cheeks and smile. The flooring is a checkered pattern of red, blue, pink, green and brown.

House of Anansi Press

One Can

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Nostalgia for the Absolute

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When He Was Free and Young and He Used to Wear Silks

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The City of Words

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Night Walk

Cover: Midway, poems by Kayla Czaga. Most of the cover is taken up by the sky at dusk. The bottom edge of a steep hill leads into a still body of water. Near the shoreline is a lit-up Ferris wheel surrounded by a few RVs and strings of colourful lights.

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Midway

Mnoomin maan’gowing/The Gift of Mnoomin. Written by Brittany Luby, illustrated by Joshua Mangeshig Pawis-Steckley, translated by Mary Ann Corbiere. A field of mnoomin plants grow in the water, where a canoe holds three people. A man stands in the canoe holding a long pole that extends down into the water. Two ducks swim in the foreground, where ripe seed heads of mnoomin appear. An eagle soars against a background of pink and gold clouds. A faint brushstroke flows across the scene.

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Mnoomin maan'gowing / The Gift of Mnoomin

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Buddy and Earl Meet the Neighbors

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Ancient Thunder

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The Marrying of Chani Kaufman

This image is in shades of black and white. Six women hang upside down by their knees from a set of monkey bars. They each wear the same uniform of white shorts with a dark stripe and buttons down the side and a white short-sleeved sweater with a thick dark stripe across the chest. Each woman dangles their arms toward the ground. They all have light skin tone and dark hair. Text: Dunk Tank. Kayla Czaga.

House of Anansi Press

Dunk Tank

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We Want What We Want

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The Last Stampede

A Friend Is a Friend Is a Friend. Written by Sara O’Leary and illustrated by Qin Leng. A group of fifteen children of various skin tones perch and swing playfully from the branches of a tree.

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A Friend Is a Friend Is a Friend

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Letters to Kafka

A girl with dark skin tone pulls a red wagon behind her against a beige background with an outline of dark beige window panels. In the wagon is a tall pile of red, yellow, blue, and green objects. They tower over her. In front of her is a yellow fire hydrant. Text: Maggie’s Treasure. Jon-Erik Lappano. Kellen Hatanaka.

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Maggie’s Treasure

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Seamus’s Short Story

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Buddy and Earl Go to School

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Great Expectations

A grassy ridge looks out over a series of tree-covered hills and mountains. A person stands on the ridge looking out over the edge. They wear a heavy jacket and pants. Text: Ridgerunner. Gil Adamson. Award-winning author of The Outlander. Scotiabank Giller Prize Finalist. WritersÕ Trust of Canada Winner. WritersÕ Trust Fiction Prize. ÒA brilliant literary achievementÉ I loved every page.Ó Scotiabank Giller Prize Winner Michael Redhill.

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Ridgerunner

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Peach Pit

Cover: Pitiful by Brandi Bird. The text is white over a back backgound, with "poems" appearing in red. In the center, an illustration in red shows a hand reaching up from the ocean, through waves that also look like hands. At the bottom, a blurb reads, "Far from a whimper, Pitiful is a vital battle cry and a song." —Marya Hornbacher

House of Anansi Press

Pitiful

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Town Is by the Sea

A lens flair from the sun is in the middle of the image. On the left is the side of boy’s face which shows his ear, cheek, and the far corner of his eyebrow and eye. He has dark skin tone and black hair. Text: Cold White Sun. Sue Farrell Holler.

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Cold White Sun

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Somos como somos / A Kid Is a Kid Is a Kid

The Quiet Hunt: A Poem for Young Foragers. By Jean E. Pendziwol and Risa Hugo. A young girl lays on a hill with her head in her hands, her wicker basket next to her. She has medium-light skin tone, short brown hair, brown eyes and her nails painted red. She wears a white baseball t-shirt with red sleeves, red high-top sneakers and a pink baseball cap with a smiling sun. She gazes at a cluster of mushrooms with brown rounded tops and white stems.

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The Quiet Hunt

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Ne le fais pas

Cover: Eyes on the Ice. By Anna Rosner. Two boys depicted in red play hockey on an ice rink at night. They wear knit sweaters, caps and gloves. In the background there are buildings with lit-up windows and an illuminated street lamp. Rising above and behind the scene looms a man wearing a coat, hat and glasses that reflect the white snow.

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Cover: procession by katherena vermette. The title and author's name all appear in white text, stylized in lower case. The backdrop is a close-up image of a beaded quilt, vibrant and detailed, with flowers, paisley, and more designs appearing. The edge of the quilt is beaded in red, and a yellow surface beneath the quilt appears at the bottom-left corner.

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Procession

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Zoom at Sea

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Let the World Have You

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The Break

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A Family Is a Family Is a Family

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Endings

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Kid

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The Secret Legacy

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When I Listen to Silence

Cover: West Coast Wild Baby Animals. By Deborah Hodge. Pictures by Karen Reczuch. A mama otter embraces a baby otter on her stomach. Both otters have their eyes closed, with the baby's head resting against the mother's mouth. Green seaweed surrounds them. The illustrations are created in watercolor paints color pencil.

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West Coast Wild Baby Animals

A small store is between two trees with a building on one side and a street on the other. Behind the store is a cityscape of brick buildings. A small path leads to the store’s door. A boy and a girl with light skin tone sit along the path with treats and a wagon. Text: Our Corner Store. By Robert Heidbreder. Illustrations by Chelsea O’Byrne.

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Cover: Strange Bewildering Time: Istanbl to Kathmandu in the Last Year of the Hippie Trail by Mark Abley. A vintage colour photograph of a red-orange 1960s bus on a deserted road. Beside the bus is one half of a road sign, with a dark-skinned man standing in front of it. In the background are rolling green hills and a white-tipped mountain, with a blue-green sky above.

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Strange Bewildering Time

This image is in shades of black and white. A statue on a cliff looks out over the ruins of an old city. The statue resembles a man with short curly hair. It has one arm out and is has a draped cloak around it. The ruins of the city are mainly rubble and stone walls with window openings. The buildings are densely packed together. Text: Erín Moure. The Elements. (Nam:Loz).

House of Anansi Press

The Elements

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Dodge City

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I Have the Right to Be a Child

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Winter

All That Grows. Words and pictures by Jack Wong. A close-up shows a boy’s face as he stares wide-eyed at four tiny green plants that have sprouted in a bed of soil. The boy has medium skin tone and brown eyes. The title is hand-lettered in green, and the author’s name is in pink.

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All That Grows

Cover: In a Land Without Dogs the Cats Learn to Bark by Jonathan Garfinkel. Black and white text of the title is set in a Soviet-era propaganda font. A small black illustration of a cat walking is in the middle-right of the page. The background is red.

House of Anansi Press

In a Land without Dogs the Cats Learn to Bark

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French Exit

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The Speed of Mercy

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After the Water

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Tokyo Digs a Garden

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Jump at Home: Grade 5

Cover: Boozhoo! Hello! By Mangeshig Pawis-Steckley. Translated by Mary Ann Corbiere. A wolf is drawn in a Woodland art style, made out of simple organic shapes with smoothed, rounded lines. The wolf walks across the page while looking up at the title. It has a black head, and its body is made up of several different shapes with varying designs in blue, orange, red and green. The background is orange.

House of Anansi Press

Boozhoo! / Hello!

Two gold columns frame a stage. A brown mouse in a red and green suit jumps in the air with its arms raised and its eyes closed. In the air are a butterfly, a flower, and a leaf. Text: ¡Bravo, Chico Canta! ¡Bravo! Pat Mora y Libby Martinez. Illustraciones de Amelia Lau Carling.

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Bravo, Chico Canta! Bravo!

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Every Object Has a Story

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Rooster / Gallo

A tall city building is on a street corner. At the top of the building in red letters is the book’s title, “The Goat”. A spotlight shines from above and illuminates the front of the building. A white goat is on the roof. On the sidewalk are a person walking their dog, a concierge at the front door, two children, and a person in an electric wheelchair. The awning over the front door has the author’s name, “Anne Fleming”. Beside and behind the building are more buildings.

House of Anansi Press

The Goat

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Children of War

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Rain and Sun

Cover: Our Voice of Fire: A Memoir of a Warrior Rising by Brandi Morin. A painted portrait shows a woman with medium-dark skin tone and black hair beating a drum. She wears a cream-coloured dress and stands before a red circle.

House of Anansi Press

Our Voice of Fire

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Glorious Frazzled Beings

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The Griffin Poetry Prize 2013 Anthology

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The Book of Birds

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Cover: Bury the Lead: a Quill and Packet mystery by Kate Hilton and Elizabeth Renzetti. The cover illustration shows a woman with dark hair and stark features peeking out from behind a red curtain, as if looking out from backstage. There is a blurb at the top which reads, “A whodunit that had me turning pages as fast as I could … an absolute delight!” —Marissa Stapley, New York Times bestselling author of Lucky

House of Anansi Press

Bury the Lead

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The Educated Imagination

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Busy, Busy Birds

Maggie Lou, Firefox. By Arnolda Dufour Bowes. A girl with medium skin tone and curly brown hair is flanked by two dogs: one brown, the other black and white. She wears boxing gloves around her neck, a yellow sweater, blue vest, green shorts and mismatched knee socks. There is a white bandage around one knee. She stands on grass against a purple sky and a pink and orange sun.

House of Anansi Press

Maggie Lou, Firefox

House of Anansi Press

The 2022 Griffin Poetry Prize Anthology