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House of Anansi Press

Ana Historic

This image is in shades of black and white. Six women hang upside down by their knees from a set of monkey bars. They each wear the same uniform of white shorts with a dark stripe and buttons down the side and a white short-sleeved sweater with a thick dark stripe across the chest. Each woman dangles their arms toward the ground. They all have light skin tone and dark hair. Text: Dunk Tank. Kayla Czaga.

House of Anansi Press

Dunk Tank

House of Anansi Press

Pigeon

House of Anansi Press

The Burrowing Owls of the Prairie Grasslands

Cover: Midway, poems by Kayla Czaga. Most of the cover is taken up by the sky at dusk. The bottom edge of a steep hill leads into a still body of water. Near the shoreline is a lit-up Ferris wheel surrounded by a few RVs and strings of colourful lights.

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Midway

House of Anansi Press

Technology and Empire

House of Anansi Press

Testament

House of Anansi Press

river woman

A man with light skin tone and brown hair does a handstand. He wears a black and yellow striped sweater and black pants. In front of him is a white dog. The background is a swirl of coloured stripes. Text: Your Turn, Adrian. Helena Öberg. Kristin Lidström.

House of Anansi Press

Your Turn, Adrian

On Wholeness: Anishinaabe Pathways to Embodiment and Collective Liberation by Quill Christie-Peters. The cover features abstract, colourful artwork against a brown background. Organic shapes, some humanlike, and swirling lines reminiscent of waterways and galaxies flow out of a dark hole with red blood dripping from its bottom edge. The hole is flanked by two bears and two thunderbirds on either side.

House of Anansi Press

On Wholeness

Seven Heavens Away: A Novel by Ashraf Zaghal. The title and author name appear in bold red, green, and cream letters to evoke the colours of the Palestinian flag. The background features stylized clouds, stars, a crescent moon, and the Jerusalem skyline.

House of Anansi Press

Seven Heavens Away

House of Anansi Press

Mai at the Predators' Ball

House of Anansi Press

Broughtupsy

House of Anansi Press

Read Me a Story, Stella

House of Anansi Press

October 1970

House of Anansi Press

The Exiles' Gallery

House of Anansi Press

Griffin Poetry Prize Anthology 2025

House of Anansi Press

The Circle Game

Go, stories by Deborah Ellis. The background is pale green. Clockwise from the top are six illustrations: A purple basket of various home items, two floor cushions around a wood Go game board covered in black and white pieces; an upside-down dog bowl surrounded by dog kibble and broken glass; an orange shirt, white towel, bar of soap and a toothbrush; a shovel in front of a gravestone; a white chair and a pink purse by a potted tree; and a pair of shoes, red cup and a race bib with the number forty-four.

House of Anansi Press

Go

A drawing of a bird is in white against a green background. The bird has slender wings and stands in short grass. Text: The Caiplie Caves. Karen Solie.

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The Caiplie Caves

House of Anansi Press

O Cidadan

Cover: A Horse at the Window by Spencer Gordon. A painting of a person with fire coming out of their head. They are wearing a black suit jacket. and holding a flaming flower.

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A Horse at the Window

House of Anansi Press

The Honeyman Festival

House of Anansi Press

The Breadwinner

Cover: The Wren by A. F. Moritz. An illustration of a wren perches on a branch, leaning forward and looking upward, over a beige background. The text appears in a serif font, with the title in a medium brown and the author's name in black.

House of Anansi Press

The Wren

Cover: CBC Massey Lectures, The Age of Insecurity: On the Collapse of Our Economic, Emotional, and Ecological Well-being by Astra Taylor. A white arrow points downward, framed by red and black geometric shapes.

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The Age of Insecurity

House of Anansi Press

A Pillow Book

House of Anansi Press

Shrewed

House of Anansi Press

A Family Is a Family Is a Family

Cover: Abstract painting featuring three indistinct female figures in vibrant colors against a light background. The figures are rendered with broad, expressive brushstrokes, blending hues of orange, red, brown, purple, and yellow. The title The Creation of Half-Broken People is centred on the cover in large letters with the words “a novel” in smaller type below it. The author’s name, Siphiwe Gloria Ndlovu, appears at the bottom of the cover.

House of Anansi Press

The Creation of Half-Broken People

This image is in shades of black and white. A statue on a cliff looks out over the ruins of an old city. The statue resembles a man with short curly hair. It has one arm out and is has a draped cloak around it. The ruins of the city are mainly rubble and stone walls with window openings. The buildings are densely packed together. Text: Erín Moure. The Elements. (Nam:Loz).

House of Anansi Press

The Elements

House of Anansi Press

The Polymers

Cover: Wellwater, poems by Karen Solie. Over an off-white background, the cover featured an illustration of a flowering lilac tree with a thin stem and visible roots.

House of Anansi Press

Wellwater

Monster Mender. Written by Christine Baldacchino and illustrated by Ilona Iske. A woman reaches up to gently hold the snout of a large green sea serpent. The woman has long grey hair with bangs, blue eyes and light skin tone. She wears a green dress underneath a burgundy smock, with burgundy tights and black shoes. The sea serpent’s long tail is wrapped in a circle, framing the title.

House of Anansi Press

Monster Mender

A woman with light skin tone holds a bow and arrow taught and ready for the release of the arrow. She aims the arrow toward a bullseye in the air above her. The background is red. Text: Moving Targets. Writing with Intent 1982-2004. Margaret Atwood. Introduction by Jeet Heer.

House of Anansi Press

Moving Targets

Cover: Theophylline, a poetic migration by Erín Moure. The cover has a sky blue background. The title on the the top third and the author's name on the bottom third are written in black. The subtitle, a poetic migration, is in yellow text, with a few smaller grey letters included so it can also read "an a-poretic migration." All the text repeats like an echo, with certain letters bleeding off the page and many letters reappearing below the main text.

House of Anansi Press

Theophylline

House of Anansi Press

Alden Nowlan Selected Poems

House of Anansi Press

Little Dogs

Dark blue vines curl along the sides of a light blue background. At the bottom of the vines are two small circles made by the branches, each with a rose. In the left circle is a man’s face and in the right circle is a woman’s face. In between the two is a girl with earphones. All three people have light skin tone and black hair. At the top of the vines are pink roses. In between them is the silhouette of a woman on stage in front of many seats. Text: Operatic. Kyo Maclear. Byron Eggenschwiler.

House of Anansi Press

Operatic

House of Anansi Press

O Cadoiro

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The Lost Words

(1)

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How to Restore a Timeline

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Narinjah (The Bitter Orange Tree)

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Two White Rabbits

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This Is How We Love

House of Anansi Press

Second Words

House of Anansi Press

Poems for All the Annettes

Cover: Great Silent Ballad: poems by A. F. Moritz. A Renaissance-style painting primarily features two figures, one playing a violin and the other playing a lute. The face of a third figure looks down and to the right at the bottom-left of the page, and the body of a fourth appears on the upper right section.

House of Anansi Press

Great Silent Ballad

House of Anansi Press

Grant and Tillie Go Walking

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Furious

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Together by the Sea

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Arrival

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The Big Why

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The Cat at the Wall

House of Anansi Press

Like This

Cover: Temporary Palaces, a novel, by Jeff Miller. Photograph of an abandoned two-storey house sitting on a vacant lot. The ground floor windows are covered by boards, which have been spraypainted with graffiti, while the upper floor windows have been smashed out. The title and author’s name appear in large, black letters inside a white frame around the photograph. The words “A Novel” appear beside the title in large, pink letters.

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Temporary Palaces

House of Anansi Press

These Festive Nights

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Kamouraska

House of Anansi Press

The Spotted Dog Last Seen

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Nothing for You Here, Young Man

House of Anansi Press

The Quiet

Cover: Lantern, poems by Sanna Wani. Above a cream-coloured background, a forest green border is stamped. Inside the border are three ginko leaves stamped in various directions, as though falling. The text appears in cursive lettering.

House of Anansi Press

Lantern

House of Anansi Press

Griffin Poetry Prize Anthology 2026

House of Anansi Press

Good Night, Commander

Cover: Passengers by Michael Crummey. The words "passengers" and "poems," as well as the author's name, are stylized to form the shape of Newfoundland. The text is in black and red.

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Passengers

House of Anansi Press

The Unmemntioable

House of Anansi Press

Fugue With Bedbug

House of Anansi Press

Endings

The Quiet Hunt: A Poem for Young Foragers. By Jean E. Pendziwol and Risa Hugo. A young girl lays on a hill with her head in her hands, her wicker basket next to her. She has medium-light skin tone, short brown hair, brown eyes and her nails painted red. She wears a white baseball t-shirt with red sleeves, red high-top sneakers and a pink baseball cap with a smiling sun. She gazes at a cluster of mushrooms with brown rounded tops and white stems.

House of Anansi Press

The Quiet Hunt

House of Anansi Press

The 2020 Griffin Poetry Prize Anthology

House of Anansi Press

On Love and Tyranny

Cover: Innie Shadows by Olivia M. Coetzee. “Groundbreaking and unique, character-driven crime fiction." —Deon Meyer. A stylized illustration of a mountain beneath a bright moon and clouds. The background is purple, and the typography and mountain are in vibrant green and yellow. Eyes are scattered at the bottom.

House of Anansi Press

Innie Shadows

House of Anansi Press

The Griffin Poetry Prize 2013 Anthology

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I Wish I Could Draw

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Far to Go

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The New Measures

House of Anansi Press

The Road In Is Not the Same Road Out

Cover: The Griffin Poetry Prize Anthology 2024: A Selection of the Shortlist. Amelia M. Glasser / Yuliya Ilchuk / Halyna Kruk / Jorie Graham / Ishion Hutinson / Ann Lauterbach / George McWhirter / Homero Aridjis. Edited by Albert F. Moritz. In the centre of the cover is a black and white image of a lush forrest.

House of Anansi Press

Griffin Poetry Prize Anthology 2024

Cover: “Sunny Days Inside and Other Stories. Caroline Adderson.” The word “Inside” is highlighted in yellow. There is a beige brick wall and on the left is the end of an apartment balcony. A kid with black hair, brown eyes and medium-dark skin tone is wearing a yellow hoodie, black jogging shorts, white sports socks and blue and black running shoes. The kid leans against the balcony railing, arms crossed, looking pensive. To the right and above is a shadow of the bottom of a second balcony one floor up.

House of Anansi Press

Sunny Days Inside

House of Anansi Press

Power Politics

Cover: Pitiful by Brandi Bird. The text is white over a back backgound, with "poems" appearing in red. In the center, an illustration in red shows a hand reaching up from the ocean, through waves that also look like hands. At the bottom, a blurb reads, "Far from a whimper, Pitiful is a vital battle cry and a song." —Marya Hornbacher

House of Anansi Press

Pitiful

House of Anansi Press

The 2017 Griffin Poetry Prize Anthology

Cover: The Tufted Puffins of Triangle Island. Written by Deborah Hodge. Pictures by Karen Reczuch. A close-up of a bird’s head fills the page. The bird has a black neck, white face, orange beak and long, yellow tufts flowing from above its eye to behind its head. Behind it are three more tufted puffins sitting on a grassy cliff with the ocean and clear blue sky behind them. The illustrations are done in watercolor and pencil.

House of Anansi Press

The Tufted Puffins of Triangle Island

House of Anansi Press

Ninan

House of Anansi Press

The Future of Capitalism

Cover: In a Land Without Dogs the Cats Learn to Bark by Jonathan Garfinkel. Black and white text of the title is set in a Soviet-era propaganda font. A small black illustration of a cat walking is in the middle-right of the page. The background is red.

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In a Land without Dogs the Cats Learn to Bark

House of Anansi Press

Up Up Up

House of Anansi Press

Basic Black with Pearls

House of Anansi Press

Nocturne

House of Anansi Press

In the Orchard, the Swallows