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House of Anansi Press

Cover: A Single Dreadlock. Written by Xaiver Michael Campbell and illustrated by Eugenie Fernandes. A close-up of half of a young boy’s smiling face is shown on the right side of the cover. He has dark skin tone and light brown eyes. His hair is dark brown, medium length and tightly curled, except for one single dreadlock. Over his shoulder we see a red-and-white fishing boat with a lobster trap on the back. It floats in front of a red boathouse on large wooden beams. Behind that, are rolling grassy hills.

Cover: A Single Dreadlock. Written by Xaiver Michael Campbell and illustrated by Eugenie Fernandes. A close-up of half of a young boy’s smiling face is shown on the right side of the cover. He has dark skin tone and light brown eyes. His hair is dark brown, medium length and tightly curled, except for one single dreadlock. Over his shoulder we see a red-and-white fishing boat with a lobster trap on the back. It floats in front of a red boathouse on large wooden beams. Behind that, are rolling grassy hills.

House of Anansi Press

A Single Dreadlock

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Cover: Community Snowman. Story by Deborah Kerbel. Illustrated by Tine Modeweg-Hansen. This book is wordless and laid out in a graphic novel style. There are three snowy scenes stacked on top of each other against a blue background of people of various ages and skin tones pushing large balls of snow alone or together in colourful winter clothing.

House of Anansi Press

Community Snowman

Cover: Home For Margaret. Written by Denise Davy. Illustrated by Bérengère Delaporte. A young girl sits with a woman in the snow in front of a blue tent surrounded by bare trees. The girl has medium light skin tone and curly black hair in two buns, and the woman has light skin tone; medium length gray hair and both their cheeks and nose are rosy. The woman’s hands are tucked into her jacket pocket, while the girl raises her arm as she is talking. Beside the young girl in the snow is a white grocery bag.

House of Anansi Press

Home for Margaret

Cover: Momma’s Going to March. By Jennifer Maruno and Vivian Rosas. A woman holds up a white banner, with two children following her against a green background. The woman has medium-light skin tone, brown hair and is wearing a pink crop top. Her banner shows the title text. Behind her, a boy with light skin tone and short brown hair holds his fist up, with his other hand cupped around his mouth. Beside him, a girl with medium skin tone and brown hair in pigtails holds up a sign with a pink heart on it.

House of Anansi Press

Momma's Going to March

On Wholeness: Anishinaabe Pathways to Embodiment and Collective Liberation by Quill Christie-Peters. The cover features abstract, colourful artwork against a brown background. Organic shapes, some humanlike, and swirling lines reminiscent of waterways and galaxies flow out of a dark hole with red blood dripping from its bottom edge. The hole is flanked by two bears and two thunderbirds on either side.

House of Anansi Press

On Wholeness

House of Anansi Press

A Storytelling of Ravens

Leo and Ralph. Written by Peter Carnavas. A dark blue night sky is dotted with shining stars. The title of the book is placed centerfold in light blue with the author’s name appearing underneath in white. Sitting on the letter “O” of “LEO” is a tiny white figure that looks like a little boy looking up through a telescope. A ringed planet hangs in the sky. A furry yellow alien appears at the bottom of the cover from neck-up with a wide-eyed smile on his face.

House of Anansi Press

Leo and Ralph

It is nighttime in a forest. A full moon is in the sky. The moon has a face and looks down on a fox, who looks up. The forest is red and blue. Text: Moon Wishes. Guy and Patricia Storms. Milan Pavlović.

House of Anansi Press

Moon Wishes

House of Anansi Press

Caramba (French edition)

House of Anansi Press

Mermaids and Ikons

House of Anansi Press

Night Walk

Cover: Maggie Lou Meets Her Match. By Arnolda Dufour Bowes. Two young girls stand back-to-back. One of them has medium skin tone and dark, curly hair pulled into a messy bun at the back of her head. Her T-shirt says BANNOCK SLAPPERS on the front. She has one eyebrow raised and is smirking while her arms are crossed in front of her chest. There's a band-aid on her arm. The other girl has light skin tone and her curly orange hair flows down her back. She waves while she smiles and looks over her shoulder.

House of Anansi Press

Maggie Lou Meets Her Match

House of Anansi Press

Sometimes I Feel Like a Fox

House of Anansi Press

Skim

House of Anansi Press

The Big Why

House of Anansi Press

Zoom at Sea

House of Anansi Press

Africville

Cover: The One and Only Question. Written by Norma Charles and Andrea Charles. Illustrated by Ken Daley. Zeke, a young boy with medium-dark skin tone, an afro and teal shirt with a yellow crown on it, walks away from the yellow school bus in the background. Behind him, another young boy with medium skin tone, glasses, a green hoodie and yellow shoes steps down the stairs to exit the bus. Children of a variety of ethnicities can be seen in the windows of the bus.

House of Anansi Press

The One and Only Question

House of Anansi Press

A Salmon for Simon

Cover: Genocide: Revised and Expanded Edition. By Jane Springer. Quote from Horn Book: “An impossible overview of a timely topic.” A stylized drawing shows a man with white skin tone, wearing red, looking down from where he stands on top of a mountain of human skulls. The background is black, and the title lettering is red.

House of Anansi Press

Genocide

House of Anansi Press

As Glenn as Can Be

This image is in shades of black and white. A black shape like an oval with pointed ends in is the middle of the page. A boy is in the middle of the shape. Text: A Serious Thought. Jonas Taul.

House of Anansi Press

A Serious Thought

When Spider Met Shrew by Deborah Kerbel. Illustrations by Geneviève Côté. These images were done in watercolour. A small black spider hangs down from her web that covers a corner of the image. The spider smiles at a small brown shrew who stands on his hind legs and smiles back with a wave. The sky is blue behind them.

House of Anansi Press

When Spider Met Shrew

House of Anansi Press

Alego

House of Anansi Press

Seven Fallen Feathers

House of Anansi Press

Last Week

House of Anansi Press

The Greats

Cover: Taming Papa by Mylène Goupil. Translated by Shelley Tanaka. A young girl with medium-light skin tone and chin-length black hair sits at a table, looking into the distance with her chin in her hand. In front of her, there is a plate of mac and cheese, a glass of juice, some paper and a pen. Behind her, a man with medium-light skin tone and short black hair sits on a couch, watching TV. The room is dim. The window blinds are closed.

House of Anansi Press

Taming Papa

House of Anansi Press

Morris Micklewhite and the Tangerine Dress

A woman with light skin tone holds a bow and arrow taught and ready for the release of the arrow. She aims the arrow toward a bullseye in the air above her. The background is red. Text: Moving Targets. Writing with Intent 1982-2004. Margaret Atwood. Introduction by Jeet Heer.

House of Anansi Press

Moving Targets

José Speaks Out, speech by José Mujica, commentary by Dolors Camats, translation by Sofía Jarrín and illustrations by Guridi. The silhouette of an old man, visible from the shoulders up, is depicted in black ink against a splash of yellow. The man has short hair and a mustache, and wears a checked collared shirt under a jacket.

House of Anansi Press

José Speaks Out

Cover: The Last Last. Written by Wendy J. Whittingham and illustrated by Brianna McCarthy. A young girl floats in bright blue water, smiling with her arms spread wide. Four small, brightly colored fish swim around her. She has dark skin tone with black tight-curly hair parted into twisted pigtails on either side of her head and secured by pink bobbled hair ties. Her eyes are closed as she floats, and her cheeks are a deep rosy color. She wears a pink one-piece swimsuit that has light purple polka-dots.

House of Anansi Press

The Last Last

An open garbage bin sits on the corner of a neighbourhood street. Behind it is a house and around are trees and bushes with flowers. A woman and a girl with light skin tone stand by the bin and pull things out of it. The woman has a shopping cart beside her that is overflowing with things. The girl holds a small robot doll. Text: Aunt Pearl. Monica Kulling. Irene Luxbacher.

House of Anansi Press

Aunt Pearl

House of Anansi Press

A Family Is a Family Is a Family

House of Anansi Press

Channel of Peace

House of Anansi Press

A Pond, a Poet, and Three Pests

House of Anansi Press

The Black Book of Colors

Cover: The Outsmarters, by Deborah Ellis. A young girl leans against a tree trunk, looking back at a shed in a yard full of sunlit grass. She has light skin tone and chin-length hair, and she and the tree are shadowed in the foreground. Across the yard, an orange cat sits on top of the worn shed and returns her gaze. A roulette wheel is propped against the falling-apart shed wall. A fence lines the background, with trees behind it against a light blue sky.

House of Anansi Press

The Outsmarters

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Sidewalk Flowers

House of Anansi Press

Based on a True Story

House of Anansi Press

If You Want to Visit a Sea Garden

House of Anansi Press

Book Uncle and Me

House of Anansi Press

I Know Here

Cover: "Mii maanda ezhi-gkendmaanh / This Is How I Know. Brittany Luby. Mangeshig Pawis-Steckley". An Anishinaabe child and her grandmother walk along a dirt path. The child races ahead, long black hair streaming behind. The grandmother, with long white hair, follows. In the background are green bushes and a cluster of leafy trees.

House of Anansi Press

Mii maanda ezhi-gkendmaanh / This Is How I Know

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The Truth About Stories

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Canadian Railroad Trilogy

Cover: My Street Remembers. Written by Karen Krossing and illustrated by Cathie Jamieson. Paintings were inspired by illustrator’s Anishinaabe and Haudenosaunee background, showing organic shapes in thick outlines. A turtle crawls along the sand, leaving footprints behind. The sky is blue. Grass grows above, and under it there is dark earth with a long, curving black line bisected by shorter vertical lines. Pictured on the left side of the page is half of a medicine wheel ringed with a braided grass ring.

House of Anansi Press

My Street Remembers

A Place for Pauline by Anouk Mahiout. Illustrations by Marjolaine Perreten. A girl with light skin tone and short red hair wears a red dress. She lies on a long green cushion with eight small pillows and a white and orange cat curled up beside her. The girl, Pauline, has a book face down on her chest. Her arms are spread out on both sides as she looks up. Beside the cushion is a stack of books. Above her are two shelves with books and knickknacks, with a string of red flowers hanging between them.

House of Anansi Press

A Place for Pauline

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Ancient Thunder

In a green border is the title is at the top in English, “My First Words in Nahuat.” On the left in Nahuat, “Tay naja nitajtaketzji achtu tik Nawat”. On the right in Spanish, “Mis primeras palabras en nahuat.” The authors’ names, Jorge Argueta and El Aleph Sanchez, are below, with “Yujyultawawasul, Poems, Poemas.” In the centre are three children with medium-dark skin tone in colourful crowns. Behind them stand two men with red skin tone, blue beards and black brows. In the background is a village.

House of Anansi Press

Tay naja nitajtaketzki achtu tik Nawat / ‌Mis primeras palabras en nahuat / My First Words in Nahuat‌

Book cover for “Every Space Between” by Naseem Hrab and John Martz. The cover is split in three sections: day, blank white space and night. On the left, a child with medium skin tone and straight black hair runs in daylight under a pale yellow sun. On the right, a white dog with black and brown spots and a red collar runs happily under a night sky filled with stars and a crescent moon. The large orange title text “EVERY SPACE BETWEEN” fills the space in the centre with the creator names below in light blue.

House of Anansi Press

Every Space Between

It is snowing on a busy city street. Shops line the street with single story apartments above them. The title of the book is shown as a shop’s sign. People walk along the sidewalk in winter clothes. Cars and trucks drive on the snowy road. The author and illustrator’s names are shown on the sides of trucks. Text: My Winter City. Words by James Gladstone. Pictures by Gary Clement.

House of Anansi Press

My Winter City

Cover: Shy Me. Written by Sandra V. Feder and illustrated by Ashley Barron. The images in this book were created using a cut-paper collage art style. A shy child, with light skin tone, ginger hair and a brown hoodie stands with their hands behind their back in front of the white board at the front of a classroom. Three other children gather, looking toward the shy child.

House of Anansi Press

Shy Me

House of Anansi Press

P'ésk'a and the First Salmon Ceremony

House of Anansi Press

Does State Spying Make Us Safer?

House of Anansi Press

Good Night, Commander

Cover: Boozhoo! Hello! By Mangeshig Pawis-Steckley. Translated by Mary Ann Corbiere. A wolf is drawn in a Woodland art style, made out of simple organic shapes with smoothed, rounded lines. The wolf walks across the page while looking up at the title. It has a black head, and its body is made up of several different shapes with varying designs in blue, orange, red and green. The background is orange.

House of Anansi Press

Boozhoo! / Hello!

Sometimes I Feel Like an Oak, by Danielle Daniel and Jackie Traverse. A young girl stands at the base of a large, leafy tree, looking up. The girl has medium skin tone, long black hair in a single braid, and wears a purple shirt and long purple skirt, with mocassins on her feet. The sky in the background is made up of swirling patterns and shapes in rainbow colors.

House of Anansi Press

Sometimes I Feel Like an Oak

House of Anansi Press

The Honey Jar

Cover: Her First Palestinian and Other Stories by Saeed Teebi. 'Intelligent, original and bursting with vitality' - Ayelet Tsabari, Author of The Art of Leaving. A soft yellow background with an small orange, unpeeled with the peel spiraling to its right.

House of Anansi Press

Her First Palestinian

House of Anansi Press

Northwest Passage

Cover: Sometimes I Eat with My Hands by Kid Haile, illustrated in a watercolor art style. A young girl with medium-dark skin tone and curly hair in pigtails wears a white T-shirt covered in spaghetti stains. She sits in a highchair holding out fistfuls of spaghetti. The tray in front of her is covered in noodles and an empty pink bowl. in the background there is a stuffed panda covered in noodles, and a baby crawling on the floor toward a tipped-over sippy cup. The background is green with a white border.

House of Anansi Press

Sometimes I Eat with My Hands

All That Grows. Words and pictures by Jack Wong. A close-up shows a boy’s face as he stares wide-eyed at four tiny green plants that have sprouted in a bed of soil. The boy has medium skin tone and brown eyes. The title is hand-lettered in green, and the author’s name is in pink.

House of Anansi Press

All That Grows

My Subway Runs. Written by James Gladstone and illustrated by Pierre Pratt. A group of people on a subway platform wait for the train doors to open. A little kid with light skin tone, short black hair and a blue jacket holds their mom’s hand and looks back over their right shoulder. Mom has light skin tone, long blonde hair, and wears a red coat. A hat appears to have blown away from a tall man’s head and flies over the title “My Subway Runs.”

House of Anansi Press

My Subway Runs

House of Anansi Press

February

A brown owl flies through mist. Its eyes are yellow. Its feathers are spotted and striped with different shades of brown. Text: An Owl at Sea. Susan Vande Griek. Ian Wallace.

House of Anansi Press

An Owl at Sea

House of Anansi Press

As Long as the Rivers Flow

Alone. The Journeys of Three Young Refugees. By Paul Tom and Mélanie Baillairgé. A woman and girl embrace. The girl rests her head on the woman’s shoulders, and the woman wraps her hands around the girl’s body. The woman’s upper body appears to be fading, ghostlike, into the background. Both have dark skin tone and black hair. The woman wears a red dress with long sleeves, and white hoop earrings. The girl appears to be teen age and has a green shirt, black skirt and a black backpack.

House of Anansi Press

Alone

House of Anansi Press

Salmon Creek

A graphic pattern is in shades of blue and green shapes with grey lines in between. Some grey lines cross over and through the letters of the title and the authorÕs name. Text: Dual Citizens. Alix Ohlin. Scotiabank Giller Prize Finalist. Author of Inside. ÒTouchingÉ Dual Citizens has a lot in common with Zadie SmithÕs Swing Time and Claire MessudÕs The Burning Girl.ÓÑWall Street Journal.

House of Anansi Press

Dual Citizens

House of Anansi Press

Mustafa

Cover: Blanket by Ruth Ohi. A white cat with grey fur around each eye is named Cat. Cat wears a pajama shirt and pants that are yellow with red polka dots. Cat sits and holds their knees to their chest under a blue blanket. Across from Cat sits a white dog with grey fur around the eyes and floppy ears. Their name is Dog. They wear a blue sweater with green stripes and white pants. Dog rests their hands on their knees and touches their forehead to Cat’s. They both smile.

House of Anansi Press

Blanket

House of Anansi Press

When I Listen to Silence

House of Anansi Press

Buddy and Earl Go Exploring

This image is a series of scenes. The scene above is a yellow photograph of a strip mall and a stoplight. Signs read, ÒDonuts, Muffins, CakesÓ and ÒGrocery StoreÓ. Two sections, one red and one yellow, with black polka dots, show the title. The scene below is a black and green image of the Toronto skyline on a red background. Text: Frying Plantain. Zalika Reid-Benta. Scotiabank Giller Prize Longlist. ÒAn unforgettable debut.Ó Ð Paul Beaty, Booker Prize-winning author of The Sellout.

House of Anansi Press

Frying Plantain

House of Anansi Press

Ghost Train

House of Anansi Press

A Sweet Meeting on Mimouna Night

House of Anansi Press

A Cage Went in Search of a Bird

House of Anansi Press

Away

Cover: Chrysalis: Stories by Anuja Varghese. The title is centred with the author's name below it. A faint paisley pattern fills the black background. The image is an 18th C painting of a thin reddish branch with heart-shaped leaves and a pale peach flower and two buds. In the bottom left is a pinkish-brown Antheraea polyphemus moth with a brown thorax and two large black spots ringed in white on the lower wings, and two smaller black and white spots on both the upper and lower wings.

House of Anansi Press

Chrysalis

Cover: Everybelly by Thao Lam. Maddie, a child with medium skin tone, a floral long-sleeve swim top, blue swim cap and goggles, swims underwater. Air bubbles float up from her mouth to the surface. The arms and legs of a smaller child with dark skin tone in an inflatable tubeare visible on the top right edge of the page. Swimming next to the small child is the torso of a woman with dark skin tone and a yellow floral one piece swimsuit is visible.

House of Anansi Press

Everybelly

House of Anansi Press

Drive

Go, stories by Deborah Ellis. The background is pale green. Clockwise from the top are six illustrations: A purple basket of various home items, two floor cushions around a wood Go game board covered in black and white pieces; an upside-down dog bowl surrounded by dog kibble and broken glass; an orange shirt, white towel, bar of soap and a toothbrush; a shovel in front of a gravestone; a white chair and a pink purse by a potted tree; and a pair of shoes, red cup and a race bib with the number forty-four.

House of Anansi Press

Go

Water laps a sandy shore. On the sand are two children. We can see their rain boots and their clothes. One wears overalls and a shirt and the other wears a pink tutu and sweater. They both hold branches like walking sticks. In the water we can see the children’s reflection. They both have light skin tone and red hair. A boy wears the overalls. A girl wears the tutu. A flower floats on the water. Text: The Biggest Puddle in the World. Mark Lee. Nathalie Dion.

House of Anansi Press

The Biggest Puddle in the World

House of Anansi Press

A Florence Diary

House of Anansi Press

Doctor Kiss Says Yes

House of Anansi Press

Caramba

House of Anansi Press

Out the Window

Cover: A Coyote Solstice Tale by Thomas King. Illustrated by Gary Clement. It is nighttime and snowing. A beaver, an otter, a coyote, a girl with light skin tone and short black hair, a brown bear and a grey moose ride together down a snowy hill on a wooden toboggan. They wear winter scarves, jackets and hats.

House of Anansi Press

A Coyote Solstice Tale

Cover: Bury the Lead: a Quill and Packet mystery by Kate Hilton and Elizabeth Renzetti. The cover illustration shows a woman with dark hair and stark features peeking out from behind a red curtain, as if looking out from backstage. There is a blurb at the top which reads, “A whodunit that had me turning pages as fast as I could … an absolute delight!” —Marissa Stapley, New York Times bestselling author of Lucky

House of Anansi Press

Bury the Lead

House of Anansi Press

Tokyo Digs a Garden