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David Wojnarowicz: Memories That Smell Like Gasoline

Cover: CBC Massey Lectures, What I Mean To Say: Remaking Conversation In Our Time by Ian Williams, award–winning author of Disorientation: Being Black in the World and Reproduction. Below the type are four stylized line drawings of faces with splashes of colour in peach, pink, orange and yellow. The entire cover is framed in a white box according to the CBC Massey Lectures series look.

House of Anansi Press

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AESTHETICAL RELATIONS by Christina Catherine Martinez

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Tianying Yu: Shanghai Story

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Apartamento Magazine: Issue 31

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Does the Sun Have a Translucent Shell?

Cover: Dangerous Memory, Coming of Age in the Decade of Greed by Charlie Angus, author of the Trillium Award finalist Cobalt. Title appears in black, bold letters on two white bands against a black and turquoise background. Below is a silhouette of a crowd of activists holding up a megaphone and placards protesting nuclear weapons.

House of Anansi Press

Dangerous Memory

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Seo Dongjin: Can the Biennale of the Global South be a New International of Tricontinental Art Practices?

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Laura Owens: Untitled Zine (Air Battle Rages Over Los Angeles)

Cover: Chrysalis: Stories by Anuja Varghese. The title is centred with the author's name below it. A faint paisley pattern fills the black background. The image is an 18th C painting of a thin reddish branch with heart-shaped leaves and a pale peach flower and two buds. In the bottom left is a pinkish-brown Antheraea polyphemus moth with a brown thorax and two large black spots ringed in white on the lower wings, and two smaller black and white spots on both the upper and lower wings.

House of Anansi Press

Chrysalis

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Laura Owens: Untitled Zine (Hey! What)

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Unearthing the Archives Zine - Part 1

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Other Forms: Other Formats: a proposal by Other Forms

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Ree Morton: The Mating Habits of Lines

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Dongyi Wu: Looking, through the screens, 400 meters above sea level.

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Cover: Midway, poems by Kayla Czaga. Most of the cover is taken up by the sky at dusk. The bottom edge of a steep hill leads into a still body of water. Near the shoreline is a lit-up Ferris wheel surrounded by a few RVs and strings of colourful lights.

House of Anansi Press

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Reworlding Ramallah: Short Science Fiction Stories from Palestine

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O.oo: No Magic In Riso of

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Jordan Peele: Get Out

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Cover: Wellwater, poems by Karen Solie. Over an off-white background, the cover featured an illustration of a flowering lilac tree with a thin stem and visible roots.

House of Anansi Press

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House of Anansi Press

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A PHANTOM WITHOUT A BODY CAN POSSESS ANY BODY : Notes on the Censorship-Effect of Film Festivals and K-movie Phenomenon

This image is in shades of black and white. Six women hang upside down by their knees from a set of monkey bars. They each wear the same uniform of white shorts with a dark stripe and buttons down the side and a white short-sleeved sweater with a thick dark stripe across the chest. Each woman dangles their arms toward the ground. They all have light skin tone and dark hair. Text: Dunk Tank. Kayla Czaga.

House of Anansi Press

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Teddy Sandoval and the Butch Gardens School of Art

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Viscose Journal 08: SOUND

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Godzilla: Asian American Arts Network 1990-2001

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