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Covered Bridge

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You Can Pick Me Up at Peggy's Cove

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Almost Invisible

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Belonging

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All Our Relations

House of Anansi Press

History’s People

Cover: Owlish, a novel by Dorothy Tse, translated from the Chinese by Natascha Bruce. The cover features a surrealist illustration: The sun sets behind a mountain. A music box with an outstretched ballerina rests on a mossy stone. A figure with a trumpet on his head sits on a red chair, atop a large hourglass. An ear is screwed into rectangular concrete monolith, which is cracking. A man dangles from a purple bridge over a river which fills with a faucet.

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Owlish

House of Anansi Press

Mud City

Cover: Chrysalis: Stories by Anuja Varghese. The title is centred with the author's name below it. A faint paisley pattern fills the black background. The image is an 18th C painting of a thin reddish branch with heart-shaped leaves and a pale peach flower and two buds. In the bottom left is a pinkish-brown Antheraea polyphemus moth with a brown thorax and two large black spots ringed in white on the lower wings, and two smaller black and white spots on both the upper and lower wings.

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Chrysalis

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Nothing for You Here, Young Man

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The Immortal Woman

SusanMayWarrenFiction

Doyle (Minnesota Kingstons Book 3)

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Northwest Passage

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Dodge City

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After the Water

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Spud in Winter

House of Anansi Press

Angel Square

Cover: “Burying the Moon. By Andrée Poulin and Sonali Zohra.” A girl with medium-dark skin tone stands in a field, facing away from us. The girl wears sandals and a blue dress over a white shirt, and her dark hair is braided. She holds a pick and stares at the big full yellow moon. There is a hole in the ground beneath the moon. The field and sky are shades of purple, blue and pink. There are swirls in the sky behind the moon.

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Burying the Moon

House of Anansi Press

Biology As Ideology

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Blue Future

House of Anansi Press

Broughtupsy

Doyle, Roddy IRISH BIOGRAPHY Roddy Doyle: Rory & Ita [2003] paperback

Chapters Bookstore

Roddy Doyle: Rory & Ita [2003] paperback

House of Anansi Press

Book Uncle and Me

House of Anansi Press

French Exit

House of Anansi Press

Martin and the River

A woman with light skin tone stands in a field of tall, dry grass. The sky is blue behind her. Her hands are bound in front of her with white fabric. She holds a piece of driftwood to cover her face. One eye is visible through a circular hole in the wood. Feathers stick out of a cracked section toward the top of the driftwood. Text: NDN Coping Mechanisms. Notes from the Field. Billy-Ray Belcourt. Winner of the Griffin Poetry Prize.

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NDN Coping Mechanisms

It is nighttime. A photograph shows blue light shining on a brick building with four rows of windows. A man with light skin tone who is as tall as the highest windows stands beside the building. He wears a vest over a button-up shirt and leans on the wall. His shadow on the building is stopped by one lit window on his shadowÕs chest. A spotlight shines on his face. He looks to the ground. Text: 887. Robert Lepage. Translated by Louisa Blair. ÒGlitteringÉ WonderousÉ Raw emotional force.ÓÑ New York Times.

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887

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The Red Sash

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The Bush Garden

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The Princeling of Nanjing

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Easy Avenue

The True Confessions of Charlotte Doyle, by Avi

Storyglory Kids Inc

The True Confessions of Charlotte Doyle, by Avi

House of Anansi Press

Chin Chiang and the Dragon's Dance

House of Anansi Press

Democracy on Trial

Cover: Her First Palestinian and Other Stories by Saeed Teebi. 'Intelligent, original and bursting with vitality' - Ayelet Tsabari, Author of The Art of Leaving. A soft yellow background with an small orange, unpeeled with the peel spiraling to its right.

House of Anansi Press

Her First Palestinian

Cover: Innie Shadows by Olivia M. Coetzee. “Groundbreaking and unique, character-driven crime fiction." —Deon Meyer. A stylized illustration of a mountain beneath a bright moon and clouds. The background is purple, and the typography and mountain are in vibrant green and yellow. Eyes are scattered at the bottom.

House of Anansi Press

Innie Shadows

Collingwood Merch Co.

A Newfoundlander in Canada: Always Going Somewhere, Always Coming Home - paperback

House of Anansi Press

Parvana's Journey

Cover: Our Voice of Fire: A Memoir of a Warrior Rising by Brandi Morin. A painted portrait shows a woman with medium-dark skin tone and black hair beating a drum. She wears a cream-coloured dress and stands before a red circle.

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Our Voice of Fire

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The Little Girl Who Was Too Fond of Matches

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The Breadwinner

House of Anansi Press

February

A black tree is against a yellow background. The tree has white fruit shaped like pears and black leaves. The silhouette of a girl and a chicken are in the tree sitting on a high branch. Text: How to Bee. Bren MacDibble.

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How to Bee

On Wholeness: Anishinaabe Pathways to Embodiment and Collective Liberation by Quill Christie-Peters. The cover features abstract, colourful artwork against a brown background. Organic shapes, some humanlike, and swirling lines reminiscent of waterways and galaxies flow out of a dark hole with red blood dripping from its bottom edge. The hole is flanked by two bears and two thunderbirds on either side.

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On Wholeness

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October 1970

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Boy O'Boy

All the Quiet Places by Brian Thomas Isaac

Birchbark Books

All the Quiet Places: A Novel

Cover: “Aquí era el paraíso. Here Was Paradise. Humberto Ak’abal. Poemas seleccionados. Selected Poems. Arte por / Art by Amelia Lau Carling.” A jaguar head painted in watercolor fills the foreground. The background is composed of green hills covered with people, animals, a house, a pickup truck and trees, and a blue body of water where people bathe. The bottom quarter of the background behind the hills is turquoise, and the top three quarters are orange.

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Aquí era el paraíso / Here Was Paradise

Cover: Death Interrupted: How Modern Medicine is Complicating the Way We Die by Blair Bigham, MD. A small black bar in the upper-left corner of the cover reads The Walrus, to indicate this book is part of a series of books published in partnership with The Walrus magazine. Centred against the off-white background is the cover’s only image: a turquoise stethoscope bent into the loose shape of the letter P. The stethoscope’s chest piece acts as the top of the letter P in the word "interrupted."

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Death Interrupted

Cover: Colonel Parkinson in Charge: A Wry Reflection of my Incurable Illness by François Gravel, translated by Shelley Pomerance. The title is set in yellow against a bright, light teal background, above a white outline sketch of the brain and brain stem. There are approximately 20 small starbursts and dots in yellow, blue, red, and white scattered around the illustration of the brain.

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Colonel Parkinson in Charge

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Channel of Peace

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When the Doves Disappeared

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Step

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I Am Ariel Sharon

Cover: Theophylline, a poetic migration by Erín Moure. The cover has a sky blue background. The title on the the top third and the author's name on the bottom third are written in black. The subtitle, a poetic migration, is in yellow text, with a few smaller grey letters included so it can also read "an a-poretic migration." All the text repeats like an echo, with certain letters bleeding off the page and many letters reappearing below the main text.

House of Anansi Press

Theophylline

House of Anansi Press

The Sunshine Project

Cover: “Summer in the City. Marie-Louise Gay and David Homel.” Two boys peer out of a red tent, spotting a skunk with their flashlight. The tent is set up in a fenced-in yard behind a residential house. A cat stands on the top of the tent, tail raised. Tall buildings are visible in the background. Bats fly in the night sky around a full moon.

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Summer in the City

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Minds of Winter

House of Anansi Press

Mai at the Predators' Ball

The Bronze Bow: A Newbery Award Winner

Bookshop Classics

The Bronze Bow: A Newbery Award Winner - Paperback

House of Anansi Press

Blood

Dalkey Archive Press

True Story: A Trilogy

Cover: In Exile: Rupture, Reunion, and my Grandmother's Secret Life by Sadiya Ansari. Behind a layer of mustard yellow, a black-and-white photograph of the right two-thirds of a woman’s face is framed within a silhouette of a woman wearing a shalwar and kameez. The woman has dark hair and eyebrows and her expression is neutral. The title is centred in the middle of the cover and the author’s name is centered at the bottom.

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In Exile

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Hard Core Logo

House of Anansi Press

A Short History of Progress

Cover: Bury the Lead: a Quill and Packet mystery by Kate Hilton and Elizabeth Renzetti. The cover illustration shows a woman with dark hair and stark features peeking out from behind a red curtain, as if looking out from backstage. There is a blurb at the top which reads, “A whodunit that had me turning pages as fast as I could … an absolute delight!” —Marissa Stapley, New York Times bestselling author of Lucky

House of Anansi Press

Bury the Lead

Cover: Birds on the Brain. By Uma Krishnaswami. Three kids stand on an apartment building rooftop. The girl on the left has medium-dark skin tone, wears her black hair in pigtails and holds a book called "Birds." The girl in the middle has medium skin tone, black hair in looping breads and holds a pair of binoculars. The boy on the right has medium-light skin tone, short black hair and wears a karate uniform. He does a karate pose. Birds of varying species fly in the sky over them.

House of Anansi Press

Birds on the Brain

House of Anansi Press

The Best Kind of People

Cover: Definitely Thriving, a novel, by Kerry Clare. An illustration of an upside-down green clawfoot bathtub full of bubbles is at the top of the frame, with a multicoloured stack of books at each end of the tub. A woman with light skin tone and dark hair in a messy top-knot reclines in the tub, reading. The title and author’s name are in dark blue brushstroke font set slanted on a yellow background with a few scattered open books and bubbles falling to the bottom of the frame.

House of Anansi Press

Definitely Thriving

Cover: In Too Deep: When Canadian Punks Took Over the World, by Matt Bobkin and Adam Feibel. The cover has a red background with white and black text. It features a grainy black photograph of an unidentified guitarist jumping in the air in front of a microphone stand.

House of Anansi Press

In Too Deep

Cover: Two Green Birds. Geraldo Valério. Two green parakeets stand on a perch, facing each other with their beaks almost touching. They are behind thin wire cage bars. Green fabric runs along the left-hand side of the cover.

House of Anansi Press

Two Green Birds

A long bridge crosses over water toward a city skyline. Boats are on the water below it. A woman with light skin tone and dark hair stands in the foreground in an 19th century style dress. She has her hands on her hips. The sky is red. Text: How Emily Saved the Bridge. The Story of Emily Warren Roebling and the Building of the Brooklyn Bridge. Frieda Wishinsky. Natalie Nelson.

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How Emily Saved the Bridge

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Kamouraska

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Ana Historic

New West Press

Bonnie Prince Charlie

Cover: However Far Away by Rajinderpal S. Pal. A face and shoulders in purple with features obscured in shadow. The figure is wearing orange over-the-ear headphones and a green shirt. The words A Novel appear in white type across the green shirt. Text: A beautiful debut novel about the calamitous aftereffects of decisions made and unmade, secrets kept and spilled. Omar El Akkad.

House of Anansi Press

However Far Away

One More Mountain by Deborah Ellis. This image is made of eight scenes on an orange background. First, 4 women in hijabs protest on a street. Second, 3 glasses sit on a tray next to a tea pot. Third, a white truck carries soldiers. Fourth, a person wearing a burqa sits under a tree. Fifth, a man holds a bunch of balloons. Sixth, a boy stands on a roof and watches a plane taking off. Seventh, 3 soldiers with guns sit in a teacup. Eighth, a boy with medium skin tone looks at a globe on a table.

House of Anansi Press

One More Mountain

Seven Heavens Away: A Novel by Ashraf Zaghal. The title and author name appear in bold red, green, and cream letters to evoke the colours of the Palestinian flag. The background features stylized clouds, stars, a crescent moon, and the Jerusalem skyline.

House of Anansi Press

Seven Heavens Away

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De Niro's Game

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Cockroach

Cover: CBC Massey Lectures, The Age of Insecurity: On the Collapse of Our Economic, Emotional, and Ecological Well-being by Astra Taylor. A white arrow points downward, framed by red and black geometric shapes.

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The Age of Insecurity

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My Name Is Parvana

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The Sisters Brothers

House of Anansi Press

As Long as the Rivers Flow

This image is a series of scenes. The scene above is a yellow photograph of a strip mall and a stoplight. Signs read, ÒDonuts, Muffins, CakesÓ and ÒGrocery StoreÓ. Two sections, one red and one yellow, with black polka dots, show the title. The scene below is a black and green image of the Toronto skyline on a red background. Text: Frying Plantain. Zalika Reid-Benta. Scotiabank Giller Prize Longlist. ÒAn unforgettable debut.Ó Ð Paul Beaty, Booker Prize-winning author of The Sellout.

House of Anansi Press

Frying Plantain

Saints Retail

Walking down the Dunkeld Road by Alastair Blair and Brian Doyle

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House of Anansi Press

No Safe Place

Cover: The Two Roberts, by Damian Barr. A black-and-white upper-body photo of two men, both with light skin tone. One man lies sideways, his head on his arm and his hand draped over his head; the second man sits more upright behind the first, only the lower half of his face visible, both smile slightly.The image is partially obscured by diagonal semi-opaque coloured stripes at the top of the frame and the title, and similar stripes at the bottom of the frame and the author's name.

House of Anansi Press

The Two Roberts

A grassy ridge looks out over a series of tree-covered hills and mountains. A person stands on the ridge looking out over the edge. They wear a heavy jacket and pants. Text: Ridgerunner. Gil Adamson. Award-winning author of The Outlander. Scotiabank Giller Prize Finalist. WritersÕ Trust of Canada Winner. WritersÕ Trust Fiction Prize. ÒA brilliant literary achievementÉ I loved every page.Ó Scotiabank Giller Prize Winner Michael Redhill.

House of Anansi Press

Ridgerunner

9781596380271-Hostage Lands-Bond, Douglas

Reformers Bookshop

Hostage Lands