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Cover: However Far Away by Rajinderpal S. Pal. A face and shoulders in purple with features obscured in shadow. The figure is wearing orange over-the-ear headphones and a green shirt. The words A Novel appear in white type across the green shirt. Text: A beautiful debut novel about the calamitous aftereffects of decisions made and unmade, secrets kept and spilled. Omar El Akkad.

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However Far Away

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De Niro's Game

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The Best Kind of People

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The Sisters Brothers

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Toronto in 100 Beers

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Seven Fallen Feathers

A tall, pink city building stands against a background with green and yellow swirls. In front of the building are a police car and a motorcycle, both in shades of blue and black. Three white clouds float around the pink building. Text: Rochdale. The Runaway College. David Sharpe. Introduction by Stuart Henderson.

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Rochdale

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This Is How We Love

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Blue Future

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A Waiter in Paris

Cover: Arms and Legs, A Novel by Chloe Lane. A pair of legs from knees to toes sticks up vertically from the bottom of the cover. The legs are painted in a light skin tone with shading against a black background.

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Arms & Legs

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The Break

Cover: A Love Affair with the Unknown: Leaning into the Uncertainty of Modern Life by Gill Deacon. A painting by the author of a woman in a black bathing suit jumping off a green cliff into the water below against a cloudy sky. The title is stacked over this background with the author's name below it.

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A Love Affair with the Unknown

Cover: House of Anansi presents Xanax Cowboy, poems, written and directed by Hannah Green. The cover is yellow, monochrome. The title text is large and black, and the font appears as though stamped with ink.

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Xanax Cowboy

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The Acacia Gardens

Cover: In Too Deep: When Canadian Punks Took Over the World, by Matt Bobkin and Adam Feibel. The cover has a red background with white and black text. It features a grainy black photograph of an unidentified guitarist jumping in the air in front of a microphone stand.

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In Too Deep

Cover: Definitely Thriving, a novel, by Kerry Clare. An illustration of an upside-down green clawfoot bathtub full of bubbles is at the top of the frame, with a multicoloured stack of books at each end of the tub. A woman with light skin tone and dark hair in a messy top-knot reclines in the tub, reading. The title and author’s name are in dark blue brushstroke font set slanted on a yellow background with a few scattered open books and bubbles falling to the bottom of the frame.

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Definitely Thriving

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The Immortal Woman

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Broughtupsy

Cover: Hearts on Fire: Six Years that Changed Canadian Music 2000–2005 by Michael Barclay

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Hearts on Fire: Six Years that Changed Canadian Music 2000–2005

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The Enchanted Life

A man with light skin tone and brown hair does a handstand. He wears a black and yellow striped sweater and black pants. In front of him is a white dog. The background is a swirl of coloured stripes. Text: Your Turn, Adrian. Helena Öberg. Kristin Lidström.

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Your Turn, Adrian

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The Butcher's Hook

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Time to Shine

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Swimming Lessons

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Others Like Me

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Augustino and the Choir of Destruction

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Methodist Hatchet

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The Bush Garden

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Death Goes Better With Coca-Cola

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Blood

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Soft as Bones

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The Riveter

Cover: Chrysalis: Stories by Anuja Varghese. The title is centred with the author's name below it. A faint paisley pattern fills the black background. The image is an 18th C painting of a thin reddish branch with heart-shaped leaves and a pale peach flower and two buds. In the bottom left is a pinkish-brown Antheraea polyphemus moth with a brown thorax and two large black spots ringed in white on the lower wings, and two smaller black and white spots on both the upper and lower wings.

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Chrysalis

Cover: The Private Apartments, stories, by Idman Nur Omar. An illustrated orange brick high-rise apartment building with multicoloured windows is set against a blue sky. There are six white stars surrounding the building.

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The Private Apartments

A gold birdcage is against an orange background. A light blue silhouette shows two birds on a branch in the cage. Text: We Two Alone. Jack Wang. “With ingenuity and impeccable craft, Jack Wang gives us an utterly remarkable collection.” Viet Thanh Nguyen, Pulitzer Prize-winning author of The Sympathizer.

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We Two Alone

The Decibel Store

I’M NOT HOLDING YOUR COAT: My Bruises-and-All Memoir of Punk Rock Rebellion, by Nancy Barile

Cover: Miss Kim Knows and Other Stories by Cho Nam-joo Translated by Jamie Chang. From the author of Kim Jiyoung, Born 1982. Four portraits appear in four boxes. The faces have hair but no facial features. All the figures are wearing hot pink shirts of different kinds and have purple hair styles. The title appears in strong white capital letters in the centre of the four boxes.

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Miss Kim Knows and Other Stories

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Like This

LOCK BOOKS

Punk Logos (1970-2020)

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Stella and Sam ABC

A drawing of a bird is in white against a green background. The bird has slender wings and stands in short grass. Text: The Caiplie Caves. Karen Solie.

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The Caiplie Caves

A black tree is against a yellow background. The tree has white fruit shaped like pears and black leaves. The silhouette of a girl and a chicken are in the tree sitting on a high branch. Text: How to Bee. Bren MacDibble.

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How to Bee

The mid-section of a tree shows thick branches and many bunches of green leaves. A girl with light skin tone and brown hair sits in a branch wearing a blue nightgown. Text: The Bird in Me Flies. Sara Lundberg.

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The Bird in Me Flies

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The Shadow

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Pure Spring

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Eleven Canadian Novelists Interviewed by Graeme Gibson

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Kim's Convenience

Cover: Bury the Lead: a Quill and Packet mystery by Kate Hilton and Elizabeth Renzetti. The cover illustration shows a woman with dark hair and stark features peeking out from behind a red curtain, as if looking out from backstage. There is a blurb at the top which reads, “A whodunit that had me turning pages as fast as I could … an absolute delight!” —Marissa Stapley, New York Times bestselling author of Lucky

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Bury the Lead

Cover: In a Land Without Dogs the Cats Learn to Bark by Jonathan Garfinkel. Black and white text of the title is set in a Soviet-era propaganda font. A small black illustration of a cat walking is in the middle-right of the page. The background is red.

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In a Land without Dogs the Cats Learn to Bark

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Narinjah (The Bitter Orange Tree)

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How to Restore a Timeline

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The Slippers' Keeper

Cover: Colonel Parkinson in Charge: A Wry Reflection of my Incurable Illness by François Gravel, translated by Shelley Pomerance. The title is set in yellow against a bright, light teal background, above a white outline sketch of the brain and brain stem. There are approximately 20 small starbursts and dots in yellow, blue, red, and white scattered around the illustration of the brain.

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Colonel Parkinson in Charge

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Ideas to Postpone the End of the World

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Manual for Draft-Age Immigrants to Canada

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In-Between Days

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The City of Words

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Museum of Bone and Water

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I Am Ariel Sharon

Seven Heavens Away: A Novel by Ashraf Zaghal. The title and author name appear in bold red, green, and cream letters to evoke the colours of the Palestinian flag. The background features stylized clouds, stars, a crescent moon, and the Jerusalem skyline.

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Seven Heavens Away

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Arrival

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Hollywood Eden

Cover: John Candy: A Life in Comedy, by Paul Myers. Foreword by Dan Aykroyd. A black and white photograph of the comedian and actor John Candy, shown from the chest up, wearing a tuxedo, and looking directly into the camera, with just the hint of a smile. The main title and author’s name appear in large, pink block letters. The sub-title appears in a white, handwritten typeface. The foreword attribution appears in the same block letters as the title, but smaller and in white.

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John Candy

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The Secret Book of Grazia dei Rossi

House of Anansi Press

The Withdrawal Method

Cover: Pitiful by Brandi Bird. The text is white over a back backgound, with "poems" appearing in red. In the center, an illustration in red shows a hand reaching up from the ocean, through waves that also look like hands. At the bottom, a blurb reads, "Far from a whimper, Pitiful is a vital battle cry and a song." —Marya Hornbacher

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Pitiful

Cover: Everything Is Fine Here by Iryn Tushabe. Two black outlines of papyrus swamp plants appear in front of a green background. "A Novel" appears in smaller yellow type.

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Everything Is Fine Here

House of Anansi Press

The Water Rat of Wanchai + The Dragon Head of Hong Kong

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Dodge City

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Music from the Sky

House of Anansi Press

The Disciple of Las Vegas

Cover: Great Silent Ballad: poems by A. F. Moritz. A Renaissance-style painting primarily features two figures, one playing a violin and the other playing a lute. The face of a third figure looks down and to the right at the bottom-left of the page, and the body of a fourth appears on the upper right section.

House of Anansi Press

Great Silent Ballad

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Nancy Barile "I'm Not Holding Your Coat" - Book

Cover: CBC Massey Lectures, What I Mean To Say: Remaking Conversation In Our Time by Ian Williams, award–winning author of Disorientation: Being Black in the World and Reproduction. Below the type are four stylized line drawings of faces with splashes of colour in peach, pink, orange and yellow. The entire cover is framed in a white box according to the CBC Massey Lectures series look.

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What I Mean to Say

Cover: We Are Dreams in the Eternal Machine by Deni Ellis Béchard. The words of the title and author's name are composed of small pink and yellow dots against a turquoise background. The dots are sparse at the top of the page and become more dense moving down the cover, giving the impression of something coming into focus. "A Novel" appears in small white type.

House of Anansi Press

We Are Dreams in the Eternal Machine

Cover: One Foot on the Platform: A Rock ’n’ Roll Journey—Writings on Music by Peter Goddard, edited by J.A. Wainwright. A blue cover with white and yellow type showing a greyscale photograph of a musician playing an acoustic guitar to a large audience at the Toronto Rock and Roll Revival show, held at Varsity Stadium in Toronto, Canada, on September 13, 1969.

House of Anansi Press

One Foot on the Platform

Cover: Her First Palestinian and Other Stories by Saeed Teebi. 'Intelligent, original and bursting with vitality' - Ayelet Tsabari, Author of The Art of Leaving. A soft yellow background with an small orange, unpeeled with the peel spiraling to its right.

House of Anansi Press

Her First Palestinian

Cover: The Golden Daughter: My Mother's Secret Past as a Ukrainian Slave Worker in Nazi Germany by Halina St. James. An illustration of three sunflowers in descending size from the left on a dark blue background: the biggest flower has orange petals, the middle one is yellow, and the smallest one is pink; they all have green stems with leaves.

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The Golden Daughter

House of Anansi Press

Channel of Peace

Cover: Strange Bewildering Time: Istanbl to Kathmandu in the Last Year of the Hippie Trail by Mark Abley. A vintage colour photograph of a red-orange 1960s bus on a deserted road. Beside the bus is one half of a road sign, with a dark-skinned man standing in front of it. In the background are rolling green hills and a white-tipped mountain, with a blue-green sky above.

House of Anansi Press

Strange Bewildering Time

Cover: Chinatown Vancouver: An Illustrated History by Donna Seto. A colourful book cover that features vibrant, detailed illustrations of various storefronts and buildings in Vancouver's Chinatown, with a blue sky background. The buildings display Chinese signage and distinct architectural elements.

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Chinatown Vancouver

House of Anansi Press

English-Speaking Justice

A grey elephant stands against an orange background. The elephant has many small doodles and drawings of plants, shapes, and bugs on it. On the elephant’s head sits one child with medium dark skin tone and in front of the elephant stands another. Small plants are on the ground. Birds and butterflies are in the air. Text: Fern and Horn. Marie-Louise Gay.

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Fern and Horn

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The Last Stampede

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A Family Is a Family Is a Family

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The Jesuit Disruptor

House of Anansi Press

The Hollow under the Tree

Two circles overlap on a light grey background. The top circle is blue and the bottom circle is light orange. Where they overlap, their colors are split into wavy lines that still show the outline of each individual circle. Text: The Conscious Creative. Practical Ethics for Purposeful Work. Kelly Small.

House of Anansi Press

The Conscious Creative

House of Anansi Press

Minds of Winter