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Passing Ceremony

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Eleven Canadian Novelists Interviewed by Graeme Gibson

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Roch Carrier's La Guerre Trilogy

A man with medium dark skin tone stands in a doorway and holds the two doors open. Inside the space are large machines with gears. Text: Explosion at the Poem Factory. Kyle Lukoff and Mark Hoffmann.

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Explosion at the Poem Factory

A photograph shows a close-up of a woman’s face. We see the bottom right corner of her face showing the side of her mouth, her cheek, and a part of her nose. She has light skin tone and short, curly, dark hair. She wears a pink lip colour and blush. Around her neck is a short, yellow pearl necklace and she is wearing a fine-knit, teal sweater. Text: Marie-Renée Lavoie. Autopsy of a Boring Wife. “True to life and wildly entertaining.” – Huffington Post.

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Autopsy of a Boring Wife

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Museum of Bone and Water

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The Break

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These Festive Nights

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The Red Sash

Cover: A Daughter's Place by Martha Bátiz. Artwork of two young women in seventeenth-century clothing. One leans on a window ledge, resting her chin on her hand and smiling, while the other peeks out from behind a curtain, holding a cloth to her face. The title and author’s name appear in large, white brush script.

House of Anansi Press

A Daughter's Place

Cover: An Ordinary Violence, a novel by Adriana Chartrand. A black-and-white image of a rabbit against a black background spans the cover diagonally. The rabbit appears from the side with its eyes open. Its legs are bunched under its body, and its ears are laid flat against its back, with its nose pointed into the upper left corner. Red blood droplets spatter the cover.

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An Ordinary Violence

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French Exit

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Winter

Cover: “Marie-Noëlle Hébert. My Body in Pieces ” A young woman kisses the head of a black cat in her arms. The image is sketched in grayscale with graphite pencils.

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My Body in Pieces

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The Universe Within

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Kamouraska

Cover: Owlish, a novel by Dorothy Tse, translated from the Chinese by Natascha Bruce. The cover features a surrealist illustration: The sun sets behind a mountain. A music box with an outstretched ballerina rests on a mossy stone. A figure with a trumpet on his head sits on a red chair, atop a large hourglass. An ear is screwed into rectangular concrete monolith, which is cracking. A man dangles from a purple bridge over a river which fills with a faucet.

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Owlish

House of Anansi Press

Prisons We Choose to Live Inside

An open garbage bin sits on the corner of a neighbourhood street. Behind it is a house and around are trees and bushes with flowers. A woman and a girl with light skin tone stand by the bin and pull things out of it. The woman has a shopping cart beside her that is overflowing with things. The girl holds a small robot doll. Text: Aunt Pearl. Monica Kulling. Irene Luxbacher.

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Aunt Pearl

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The Sisters Brothers

House of Anansi Press

The Big Why

This image is a series of scenes. The scene above is a yellow photograph of a strip mall and a stoplight. Signs read, ÒDonuts, Muffins, CakesÓ and ÒGrocery StoreÓ. Two sections, one red and one yellow, with black polka dots, show the title. The scene below is a black and green image of the Toronto skyline on a red background. Text: Frying Plantain. Zalika Reid-Benta. Scotiabank Giller Prize Longlist. ÒAn unforgettable debut.Ó Ð Paul Beaty, Booker Prize-winning author of The Sellout.

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Frying Plantain

A graphic pattern is in shades of blue and green shapes with grey lines in between. Some grey lines cross over and through the letters of the title and the authorÕs name. Text: Dual Citizens. Alix Ohlin. Scotiabank Giller Prize Finalist. Author of Inside. ÒTouchingÉ Dual Citizens has a lot in common with Zadie SmithÕs Swing Time and Claire MessudÕs The Burning Girl.ÓÑWall Street Journal.

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Dual Citizens

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A Family Is a Family Is a Family

House of Anansi Press

Manikanetish

Six wings overlap each other against a blue background with black waves. The first wing is white and grey. It is the largest and spreads across the cover. The second is the smallest. It is blue and light blue. The third is small as well, and is green. The fourth is mid-sized, and it is brown and black. The fifth is mid-sized, and it is grey with a black tip. The sixth wing is small and gold. Text: John Thompson. Stilt Jack. Introduction by Rob Winger.

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Stilt Jack

Cover: procession by katherena vermette. The title and author's name all appear in white text, stylized in lower case. The backdrop is a close-up image of a beaded quilt, vibrant and detailed, with flowers, paisley, and more designs appearing. The edge of the quilt is beaded in red, and a yellow surface beneath the quilt appears at the bottom-left corner.

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Procession

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The Circle Game

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Kisimi Taimaippaktut Angirrarijarani / Only in My Hometown

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Gargoyles

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Arrival

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Shrewed

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Death Goes Better With Coca-Cola

Cover: Go Home. By Terry Farish and Lochan Sharma. The cover is filled with a wash of red, white and blue, with patterns of stripes and stars. Under the colors, three faces fill the cover. One is a teenage girl with long hair and an intense expression, and the other two are teenage boys. One of the boys has a mullet hairstyle and an angry expression. The other has short hair, and gazes to the side. The characters are rendered in a black-and-white graphic style.

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Go Home

House of Anansi Press

Mermaids and Ikons

Cover: Her First Palestinian and Other Stories by Saeed Teebi. 'Intelligent, original and bursting with vitality' - Ayelet Tsabari, Author of The Art of Leaving. A soft yellow background with an small orange, unpeeled with the peel spiraling to its right.

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Her First Palestinian

Cover: A Horse at the Window by Spencer Gordon. A painting of a person with fire coming out of their head. They are wearing a black suit jacket. and holding a flaming flower.

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A Horse at the Window

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Second Words

Cover: “Burying the Moon. By Andrée Poulin and Sonali Zohra.” A girl with medium-dark skin tone stands in a field, facing away from us. The girl wears sandals and a blue dress over a white shirt, and her dark hair is braided. She holds a pick and stares at the big full yellow moon. There is a hole in the ground beneath the moon. The field and sky are shades of purple, blue and pink. There are swirls in the sky behind the moon.

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Burying the Moon

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Power Politics

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Life Is About Losing Everything

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This Accident of Being Lost

This image is abstract. Pink, red, blue, and green shapes form peaks and valleys. In each shape are markings that resemble flower petals in varies colours. Text: Celestial Bodies. Jokha Alharthi. The Man Booker International Prize 2019.

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Celestial Bodies

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Does State Spying Make Us Safer?

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The Malaise of Modernity

A tall, pink city building stands against a background with green and yellow swirls. In front of the building are a police car and a motorcycle, both in shades of blue and black. Three white clouds float around the pink building. Text: Rochdale. The Runaway College. David Sharpe. Introduction by Stuart Henderson.

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Rochdale

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river woman

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The City of Words

A Place for Pauline by Anouk Mahiout. Illustrations by Marjolaine Perreten. A girl with light skin tone and short red hair wears a red dress. She lies on a long green cushion with eight small pillows and a white and orange cat curled up beside her. The girl, Pauline, has a book face down on her chest. Her arms are spread out on both sides as she looks up. Beside the cushion is a stack of books. Above her are two shelves with books and knickknacks, with a string of red flowers hanging between them.

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A Place for Pauline

House of Anansi Press

The Educated Imagination

A woman with light skin tone holds a bow and arrow taught and ready for the release of the arrow. She aims the arrow toward a bullseye in the air above her. The background is red. Text: Moving Targets. Writing with Intent 1982-2004. Margaret Atwood. Introduction by Jeet Heer.

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Moving Targets

Cover: The Wren by A. F. Moritz. An illustration of a wren perches on a branch, leaning forward and looking upward, over a beige background. The text appears in a serif font, with the title in a medium brown and the author's name in black.

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The Wren

House of Anansi Press

Poems for All the Annettes

Cover: Community Snowman. Story by Deborah Kerbel. Illustrated by Tine Modeweg-Hansen. This book is wordless and laid out in a graphic novel style. There are three snowy scenes stacked on top of each other against a blue background of people of various ages and skin tones pushing large balls of snow alone or together in colourful winter clothing.

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Community Snowman

On Wholeness: Anishinaabe Pathways to Embodiment and Collective Liberation by Quill Christie-Peters. The cover features abstract, colourful artwork against a brown background. Organic shapes, some humanlike, and swirling lines reminiscent of waterways and galaxies flow out of a dark hole with red blood dripping from its bottom edge. The hole is flanked by two bears and two thunderbirds on either side.

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On Wholeness

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All Our Relations

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Silver Repetition

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Great Expectations

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Town Is by the Sea

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Chez l'arabe

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No Pain Like This Body

Cover: Chrysalis: Stories by Anuja Varghese. The title is centred with the author's name below it. A faint paisley pattern fills the black background. The image is an 18th C painting of a thin reddish branch with heart-shaped leaves and a pale peach flower and two buds. In the bottom left is a pinkish-brown Antheraea polyphemus moth with a brown thorax and two large black spots ringed in white on the lower wings, and two smaller black and white spots on both the upper and lower wings.

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Chrysalis

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Furious

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Between Sisters

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Like This

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Back in the Land of the Living

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Belonging

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Atonement

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A Sweet Meeting on Mimouna Night

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Alden Nowlan Selected Poems

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Nothing for You Here, Young Man

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Cockroach

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Asian Vegetables

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As Long as the Rivers Flow

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Based on a True Story

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Ticknor

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The Honeyman Festival

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Manual for Draft-Age Immigrants to Canada

A photograph shows the back of a woman walking in the middle of a road. She has light skin tone and brown hair. She wears a long, black coat. The background showing the road and its surroundings is blurry and brown. Trees line the road. Part of the sky is blue. Text: The Outlander. Gil Adamson. Author of the Scotiabank Giller Prize Finalist Ridgerunner. “Bolts off the opening page… An absorbing adventure… Captivating.” Washington Post.

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The Outlander

House of Anansi Press

When He Was Free and Young and He Used to Wear Silks

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The Bush Garden

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The Hockey Sweater and Other Stories

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The Syrian Ladies Benevolent Society

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Almost Invisible

Cover: Great Silent Ballad: poems by A. F. Moritz. A Renaissance-style painting primarily features two figures, one playing a violin and the other playing a lute. The face of a third figure looks down and to the right at the bottom-left of the page, and the body of a fourth appears on the upper right section.

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Great Silent Ballad

House of Anansi Press

The Future of Capitalism

Cover: Definitely Thriving, a novel, by Kerry Clare. An illustration of an upside-down green clawfoot bathtub full of bubbles is at the top of the frame, with a multicoloured stack of books at each end of the tub. A woman with light skin tone and dark hair in a messy top-knot reclines in the tub, reading. The title and author’s name are in dark blue brushstroke font set slanted on a yellow background with a few scattered open books and bubbles falling to the bottom of the frame.

House of Anansi Press

Definitely Thriving

House of Anansi Press

Biology As Ideology

Alone. The Journeys of Three Young Refugees. By Paul Tom and Mélanie Baillairgé. A woman and girl embrace. The girl rests her head on the woman’s shoulders, and the woman wraps her hands around the girl’s body. The woman’s upper body appears to be fading, ghostlike, into the background. Both have dark skin tone and black hair. The woman wears a red dress with long sleeves, and white hoop earrings. The girl appears to be teen age and has a green shirt, black skirt and a black backpack.

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Alone

House of Anansi Press

Technology and Empire